从“回归”现象看中国当代美术创作的精神性

发布时间：2018-01-25 04:58

本文关键词： 回归现象中国当代美术创作生命精神自由精神理性精神　出处：《河南大学》2014年硕士论文　论文类型：学位论文

【摘要】：中国当代美术创作中的回归现象，早已不再是新鲜的事物，每个时代都会有着每个时代所特有的回归现象，都是为了继续前行与发展所做出的努力。本文便从当代中国美术创作的回归现象切入，通过中国现代美术与当代美术历史性的对比研究，具体阐释了美术创作中精神性的发展变化。文章采用历史对比分析和逻辑推导的方式相结合。在绪论部分侧重考察相关美术回归现象的源流及学术研究状况，点明本选题的意义及其创新之处。本文共分三章节：第一部分具体分析了回归现象中最本质的精神性，同时也是人类发展的内在精神性，即对生命精神的新追溯。生命精神主要从这两个方面来阐释：一是美术创作中生存意识的醒悟，生存意识又包括美术创作的生存意识和艺术家自觉的现实生存意识。二是对传统宇宙生命意识的回望，当代复杂的生存意识不断地促使着艺术家们，产生对传统生命意识观的回望。“回归”让传统艺术再次成为艺术家们的关注点，让艺术家们努力将传统与时代相融合，让中国美术创作走的更加深远，这与中国人的传统生命意识是相一致的。第二部分具体分析了回归现象的自由精神在美术创作中的现实归宿，即回归现象中的灵魂追求。主要是从以下三个方面阐释：一是美术创作社会发展环境的自由化，社会发展环境主要从美术创作的社会政治环境和艺术市场环境来阐释；二是艺术家身份的人性化表达，，人性化也是自由精神的一种形式表达，由艺术作品的人性化表达和艺术家身份的人性化确立两方面阐释；三是美术创作本体发展的自由化，主要从美术创作题材的自由化和审美的日常生活化两个方面阐释。这里的“自由”是相对于文革期间美术创作而言的。第三部分则是作为通篇的评价与思考，回归现象需要理性的回归准则，即理性精神的“约束”，这也是回归现象的原则精神。理性精神的“约束”即在回归现象中重新理解和阐释人的生存与美术创作的意义、价值立足点，新的人文精神的立足点。艺术家们应该在回归民族精神性的基础上，以个性去体现共性，用民族性的东西来反映、表现世界性的内容，亦即理性的回归。理性的“回归”将借助于语言科学，并融合其他理论与方法，重新探讨审美的内涵，阐释美术创作的意义和价值。这样的“回归”才会显示出当代艺术的发展价值，才会是整个世界和谐发展有效的社会活动。
[Abstract]:The return phenomenon in Chinese contemporary art creation is no longer a new thing, each era will have the unique return phenomenon of each era. In order to continue to move forward and the development of the efforts made. This article from the contemporary Chinese art creation return phenomenon cut into, through the Chinese modern art and contemporary art historical comparative study. The article uses historical contrast analysis and logical derivation to combine. In the introduction part, it focuses on the study of the origin and academic research of the related art regression phenomenon. Point out the significance of this topic and its innovation. This paper is divided into three chapters: The first part concretely analyzes the most essential spirit in the phenomenon of regression, at the same time, it is also the inner spirit of human development. That is, the new trace of the spirit of life. The spirit of life is mainly explained from these two aspects: first, the consciousness of survival in art creation. The survival consciousness includes the existence consciousness of the art creation and the realistic existence consciousness of the artist consciousness. The second is the looking back to the life consciousness of the traditional universe, and the contemporary complex survival consciousness constantly impels the artists. "return" makes the traditional art become the concern of the artists again, let the artists try to merge the tradition with the times, and make the Chinese art creation more far-reaching. This is consistent with the traditional life consciousness of the Chinese people. The second part of the specific analysis of the return phenomenon of the spirit of freedom in art creation in the reality of the home. That is, the soul pursuit in the phenomenon of return, mainly from the following three aspects: first, the liberalization of the social development environment of art creation. The social development environment is mainly explained from the social political environment and the artistic market environment of art creation. Second, the humanized expression of artist's identity, humanization is also a form of expression of free spirit, which is explained from two aspects: humanized expression of artistic works and establishment of humanization of artist's identity; The third is the liberalization of the development of the Noumenon of artistic creation, which is mainly explained from two aspects: the liberalization of the subject matter of art creation and the daily life of aesthetics. The "freedom" here is relative to the artistic creation during Yu Wenge's period. The third part is as the whole evaluation and thinking, the phenomenon of return needs rational return criterion, that is, the rational spirit of "constraints". This is also the spirit of the principle of the return phenomenon. The "constraint" of the rational spirit is to re-understand and explain the meaning of human existence and art creation in the return phenomenon, and the value foothold. On the basis of returning to the spirit of the nation, artists should reflect the commonness with their individuality and reflect the content of the world with the things of nationality. That is, the return of reason. The "return" of reason will reexplore the connotation of aesthetics with the aid of language science and other theories and methods. To explain the significance and value of art creation, such "return" will show the development value of contemporary art and be an effective social activity for the harmonious development of the whole world.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J05

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