俄苏“红色经典”与中国当代“红色经典”的比较研究

发布时间：2018-02-12 19:26

本文关键词： 红色经典相似性差异性当今时代的红色经典　出处：《辽宁师范大学》2008年硕士论文　论文类型：学位论文

【摘要】： 伴随着20世纪九十年代“红太阳”歌曲专辑在音乐市场上的出现和迅速流行,以及电视剧《钢铁是怎样炼成的》的重拍和热播,早已在文学市场上沉寂多时的“红色经典”突然又唤起人们对历史往事的追忆,文艺市场上涌动着一股强劲的“红色经典”热。起初的文艺评论界并没有对此做出及时的分析和评论,直到根据“红色经典”改编的电视剧一拨又一拨地在电视荧屏上的重现和引起的热议,学术界关于“红色经典”的论争又沸腾了起来。本文就以这一现象为切入点,通过文本细读对俄苏“红色经典”与中国当代“红色经典”的关系进行深入细致的分析和探讨。本文由四个章节组成。第一章主要论述了俄苏“红色经典”与中国当代“红色经典”的相似性。受中苏两国相同意识形态、相似文化心理和相近文化政策的影响,使俄苏“红色经典”与中国当代“红色经典”有许多相似性。主要表现为叙事风格上多追求史诗性的宏大叙事,叙事模式上多为英雄受难模式。第二章主要论述了俄苏“红色经典”与中国当代“红色经典”的差异性。结合俄苏“红色经典”的具体作品,从细腻的心理分析与浓郁的宗教文化气息两个层面来阐释俄苏“红色经典”独具特色的民族内涵。并从“复仇模式的借用与转化”“才子佳人模式的浮现与变形”两个层面来阐释中国当代“红色经典”对中国传统小说的继承与发展。第三章主要论述了“红色经典”比较的意义。探讨了俄苏“红色经典”在中国的传播与影响,以及产生这种影响的深层次原因。并结合具体作品分析了俄苏“红色经典”与中国当代“红色经典”所隐喻的民族文化内涵。第四章主要论述了当今时代的“红色经典”。伴随着苏联的解体,西方通俗读物的大量涌入,俄苏“红色经典”面临沉寂,但俄罗斯民族文化中悠久的英雄主义和集体主义传统,正如一股潜流,虽然暂时被遮蔽了,但总是以这样或那样的方式顽强地显示着它不屈的力量。中国当代“红色经典”面对大众文化和纯文学的挑战也渐渐的淡出了读者的阅读视野,但作品中所蕴涵的理想与精神则成为人类文学的永恒诉求。
[Abstract]:With the appearance and popularity of Red Sun album in the music market in 1990s, as well as the remake and popularity of the TV series "how Steel is made", The Red Classic, which has been silent for a long time in the literary market, suddenly evokes people's recollection of the past. There is a strong "Red Classic" craze in the literature and art market. The original literary critics did not make timely analysis and comments on it. Until the reappearance and heated discussion of TV series adapted from "Red Classic" on TV screen, the debate about "Red Classic" in academic circles was boiling again. This article takes this phenomenon as the starting point. The relationship between Russian and Soviet Red Classics and Chinese Contemporary Red Classics is analyzed and discussed in detail. This paper is composed of four chapters. The first chapter mainly discusses the similarities between the Russian and Soviet "Red Classics" and the contemporary Chinese "Red Classics", which are influenced by the same ideology, similar cultural psychology and similar cultural policies between China and the Soviet Union. There are many similarities between the Russian and Soviet "Red Classics" and the Chinese Contemporary "Red Classics", which are mainly manifested in the pursuit of historical poetic grand narration in the narrative style and the heroic suffering mode in the narrative mode. The second chapter mainly discusses the difference between the Russian Soviet "Red Classics" and the Chinese Contemporary "Red Classics". From the two aspects of delicate psychoanalysis and rich religious culture, this paper explains the unique national connotation of the "Red Classic" of Russia and the Soviet Union, and from "the borrowing and transformation of revenge mode", "the emergence and transformation of the pattern of talented and beautiful people" Two levels to explain the Chinese contemporary "Red Classics" to the Chinese traditional novel inheritance and development. The third chapter mainly discusses the significance of the comparison of "Red Classics", and probes into the spread and influence of Russian and Soviet "Red Classics" in China. The paper also analyzes the connotation of national culture in Russian and Soviet "Red Classics" and Chinese Contemporary "Red Classics" in combination with concrete works. Chapter 4th mainly discusses the "Red Classics" of the present era. With the disintegration of the Soviet Union and the influx of popular reading materials in the West, the "Red Classics" of Russia and the Soviet Union are facing silence. But the long tradition of heroism and collectivism in Russian national culture, like a submersible current, is temporarily obscured. But always in one way or another tenaciously shows its unyielding power. China's contemporary "Red Classics" in the face of the challenges of popular culture and pure literature has gradually faded out of the reader's reading vision, But the ideal and spirit contained in the works become the eternal appeal of human literature.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I106;I0-03

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