论萨满教造型艺术及其文化内涵

发布时间：2018-05-22 20:19

本文选题：萨满教 + 造型　；参考：《内蒙古师范大学》2006年硕士论文

【摘要】： 萨满教是一种原始多神教,它曾普遍存在于我国北方各少数民族地区,是一种历史悠远,对人类生活产生过重要影响的,但又被现代文明所逐渐遗忘的一种文化现象。萨满教造型艺术品,作为记录其宗教信仰的主要媒介,它不仅是其宗教观念的体现,更是北方先民智慧与审美文化的象征。近年来,在我国考古事业的发展和民族文化与非主流文化日益受到关注的趋势下,“萨满教”这个被人们误解、遗忘了多年的文化现象,重新又引起了人们热切的关注,很多学者纷纷从不同角度对其进行研究、分析,并出现了一批有关萨满教的优秀论著。但多数著作将目光放在对萨满教造型艺术品的搜集分类或对其思想观念、行为本质的分析上,相比之下,对于萨满教造型艺术本身的形式特征与审美特征等审美范畴领域的研究显得有些薄弱、零散。本文针对以上现象,在大量阅读学者们的论著与图象资料后,将论文从以下三方面进行了论述:一、萨满文化概说;二、萨满教造型艺术的审美内涵;三、萨满教造型艺术的文化内涵。本文在书写方法上力图准确地归纳丰富而庞杂的萨满教造型系统,渴望从中寻找它们的共性特征和其中体现出来的北方民族特有的审美情感,并运用一些相关领域的理论和材料,结合自己对它的心灵感受,将它原始稚拙而神圣怪异的美感解释给大家,让人们真正体会和感受到这种原始艺术中特有的审美内涵,为人们揭开萨满教造型艺术的神秘面纱,进一步了解萨满教造型艺术的审美文化开辟一个新的视角。
[Abstract]:Shamanism is a primitive polytheistic religion, which existed widely in the minority areas of northern China. It was a kind of cultural phenomenon which had a long history and had an important influence on human life, but was gradually forgotten by modern civilization. Shamanistic art, as the main medium to record its religious belief, is not only the embodiment of its religious concept, but also the symbol of the wisdom and aesthetic culture of the northern ancestors. In recent years, with the development of Chinese archaeology and the increasing attention paid to national culture and non-mainstream culture, Shamanism, a cultural phenomenon which has been misunderstood and forgotten for many years, has again aroused people's keen concern. Many scholars have studied and analyzed it from different angles, and a number of excellent works about Shamanism have appeared. But most of the works focus on the collection and classification of Shamanistic art objects or the analysis of their ideological and behavioral nature. The study of Shamanism plastic arts itself is weak and scattered in the field of aesthetic category such as formal and aesthetic characteristics. In view of the above phenomenon, after reading a large number of scholars' works and image materials, this paper discusses the following three aspects: first, the Shaman culture; second, the aesthetic connotation of shamanistic plastic arts; third, The cultural connotation of shamanistic plastic arts. This paper tries to sum up the rich and complicated shamanistic modeling system in the writing method, eager to find out their common characteristics and the unique aesthetic feelings of the northern nation. And using some related theories and materials, combined with their own feelings to its soul, explain its primitive, childish and sacred aesthetic feeling to everyone, so that people can truly understand and feel the unique aesthetic connotation of this primitive art. It opens up a new angle of view for people to uncover the mysterious veil of shamanistic plastic arts and further understand the aesthetic culture of shamanistic plastic arts.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J19

【引证文献】