图像时代的文学之变

发布时间：2018-06-07 12:10

本文选题：图像具象 + 图像片段　；参考：《当代文坛》2013年02期

【摘要】：在这个以图像为审美主要媒介的时代,文学写作在构思方式、情节组织、意境营造等方面都产生了某些新的取向:图像具象开发并整合了人们对图像标识的读解能力,作者于是尽可能多地挖掘、提炼读者心中原本就存在着的对具象品牌的经验,而非字斟句酌地描摹该物的肌理、构成;文本载体的图像片段化和欣赏方式的点击滑动化培养了接受者对片段阅读的对接联想能力,也同样培养了写作者对以图像组接为基础的"情节"的热衷。小说中对话的比重越来越大,情节的推进主要由对话承担;文学对于"情"的渲染力弱化,作家写作手法的"情景交融"愈发冷静、程式化而将主体的心理状态隐藏在文字背后。现有的文学中情景难以交融、触景无法生情。我们不否认这些变化,但这变化只是量变而非质变。
[Abstract]:In this era of image as the main aesthetic medium, literary writing has produced some new orientations in the way of conception, plot organization and artistic conception. The image has developed and integrated people's ability to read and interpret the image, so the author excavate as much as possible to refine the concrete brand that existed in the reader's mind. Experience, rather than describing the texture of the object, constitutes the texture of the substance; the image fragment of the text carrier and the click slide of the way of appreciation train the acceptor's ability to associate with the fragment reading, as well as the writer's passion for the "plot" based on the image formation. The promotion is mainly based on dialogue; literature has weakened the rendering force of "love". The writer's writing technique is becoming more and more calm and stylized, and the psychological state of the main body is hidden behind the text. The existing literature is difficult to blend in the scene, and the scene can not be born. We can not deny the changes, but this change is only quantitative rather than qualitative change.
【作者单位】：辽宁大学文学院;
【基金】：教育部人文社会科学院一般青年项目“图像时代的文学选择及趋向研究”阶段性成果,项目编号:09YJC751040 辽宁省教育厅2011年“辽宁省高等学校优秀人才支持计划”项目资助,项目批准号:WJQ2011004
【分类号】：I04

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