艺术学理论学科发展对门类艺术学的促进作用——以戏剧戏曲学为例

发布时间：2018-06-10 16:46

本文选题：艺术学理论 + 门类艺术学　；参考：《艺术百家》2013年06期

【摘要】：艺术学理论以某一个或者几个门类艺术规律为基础甚至以艺术整体的发生发展规律作为研究对象,从而开展对门类艺术理论的提炼和总结,其最终成果必须上升到对于各艺术门类具有普遍价值的理论层次,是"求同"。门类艺术学以个体或者本门类艺术为研究对象,研究的是某一门类艺术的特殊问题,这样形成的研究成果依然停留在个体之上,而且更加关注于本门类区别于其他门类的特点,是"求异"。因此,作为二者之间一般和特殊、共性和个性的相互依托、相互影响的关系,艺术学理论的存在和发展对于门类艺术学来说不但不是一种研究的重复浪费,反而可以弥补门类艺术学本身的不足,拓宽门类艺术学研究的深度和广度,对于门类艺术学探索未知或不成熟领域时具有方法论的普遍指导意义。本文以具体的门类艺术——戏戏剧曲学为例,解析艺术学理论的发展对其艺术性再认识、艺术的综合性赏析和跨学科研究等方面积极的深层理论意义。
[Abstract]:The theory of art is based on the laws of one or more categories of art, and even takes the law of the occurrence and development of the whole art as the object of study, so as to carry out the refining and summing up of the theory of the category of art. The final achievement must be raised to the theoretical level of universal value for each category of art, which is "seeking common ground". The subject of genre art is the individual or the art of this category, and what is studied is the special problems of a certain category of art. The research results thus formed remain above the individual, and pay more attention to the characteristics of the category that is different from other categories. It's "seeking difference". Therefore, as a general and special relationship between the two, the mutual dependence of commonness and individuality, the existence and development of the theory of art is not only a kind of repeated waste of research, On the contrary, it can make up for the deficiency of the art study itself, widen the depth and breadth of the study of the subject art, and have the universal guiding significance for the methodology when exploring the unknown or immature field of the subject art. Taking the specific genre of art as an example, this paper analyzes the deep theoretical significance of the development of the theory of art to the re-understanding of its artistry, the comprehensive appreciation of art and the interdisciplinary research, etc.
【作者单位】：江苏省文化艺术研究院;
【分类号】：J0-4

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