“江湖化”的当代艺术教育进入学院
发布时间：2018-10-16 15:51
【摘要】： 二十世纪八十年代初,随着中国又一次文化复兴而进发的当代艺术思潮在相当长的历史时期内一直被视为与主流社会相对抗的另类文化而生存于“地下”,这类艺术相对于“学院派”来被定义为“江湖”的艺术。早在九十年代末,随着中国向经济开放文化开明的社会转型,主流意识形态与消费意识形态的共存,以及全球化背景下市场经济和商业化的大潮,各种文化在中国的出现都促使了中国当代艺术开始走向半公开和半合法化,于是卓有成效的部分当代艺术家们也欣然地接受了官方的册封与拉拢,于是视为正统的学院也不断地利用着这种趋势来作为活化早以僵硬的体制的兴奋剂。那么“江湖化”的中国当代艺术在以何种形式存在,且她是怎样走进“学院”,而“学院”与“江湖”是怎么样彼此砥砺?这正是本文想与大家讨论的问题。
[Abstract]:In the early eighties of the 20th century, the trend of contemporary art, developed with another cultural renaissance in China, was for quite a long time regarded as an alternative culture opposed to the mainstream society and lived in the "underground". As early as the late 1990s, with the transformation of China towards an open economy and culture, the coexistence of mainstream ideology and consumption ideology, and the tide of market economy and commercialization in the context of globalization, The emergence of various cultures in China has prompted Chinese contemporary art to move towards semi-openness and semi-legalization, so some of the most productive contemporary artists readily accepted official canonization and courtship. So what is considered orthodox is the tendency to use it as a stimulant to activate a rigid system. So what form does the Chinese contemporary art of "river and lake" exist in, and how does she walk into "college", and how does "college" and "river lake" temper each other? This is precisely the question that this article wants to discuss with everybody.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J120-4
本文编号：2274847
[Abstract]:In the early eighties of the 20th century, the trend of contemporary art, developed with another cultural renaissance in China, was for quite a long time regarded as an alternative culture opposed to the mainstream society and lived in the "underground". As early as the late 1990s, with the transformation of China towards an open economy and culture, the coexistence of mainstream ideology and consumption ideology, and the tide of market economy and commercialization in the context of globalization, The emergence of various cultures in China has prompted Chinese contemporary art to move towards semi-openness and semi-legalization, so some of the most productive contemporary artists readily accepted official canonization and courtship. So what is considered orthodox is the tendency to use it as a stimulant to activate a rigid system. So what form does the Chinese contemporary art of "river and lake" exist in, and how does she walk into "college", and how does "college" and "river lake" temper each other? This is precisely the question that this article wants to discuss with everybody.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J120-4
【引证文献】
相关硕士学位论文 前1条
1 张琦;高等师范院校美术教育引入当代艺术因素的探究[D];南京艺术学院;2011年
，本文编号：2274847
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