中国书画艺术传播方式研究
发布时间：2018-11-18 09:38
【摘要】：艺术传播方式,是艺术信息流动的方式。在艺术传播活动中,艺术作品才是考察艺术传播活动的基础。中国书画艺术品作为“意象”“物态化”的存在形式,其传播方式可以分为实物传播和非实物传播两大类。实物传播是通过艺术品原件的传播方式,又包括创作者的亲身传播和艺术品的展示性传播两类。非实物传播是通过艺术意象的传播方式,又可分为大众传播和网络传播两类。中国书画艺术的以上传播方式,既有产生的一定顺序性,又有并存性,每一种传播方式都可以借助其它传播方式的优势改善和提高自身的传播效果。中国书画传播方式因传播媒介的变化而变化,而传播方式的变化又会逐渐引起人们欣赏和创作方式的变化。对书画艺术的传播活动来说,实物传播方式和非实物传播方式是一对矛盾统一体,它们相互补充,相互促进,共同推动了书画艺术的变化和发展。
[Abstract]:The way of art communication is the way of the flow of art information. In the activities of art communication, works of art are the basis of investigating the activities of artistic communication. As the existence form of "image" and "materialization", Chinese calligraphy and painting works of art can be divided into two types: physical communication and non-physical communication. Physical communication is the transmission of original works of art, including the personal communication of the creators and the exhibition of works of art. Non-material communication can be divided into two types: mass communication and network communication. The above communication modes of Chinese calligraphy and painting art not only produce a certain order but also exist side by side. Each way of communication can improve and improve its own communication effect with the advantage of other modes of communication. Chinese calligraphy and painting communication mode changes with the change of media, and the change of communication mode will gradually cause people to appreciate and create changes. For the communication activities of calligraphy and painting art, physical communication mode and non-physical communication mode are a pair of contradictory unity, they complement each other, promote the change and development of painting and calligraphy art together.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J0-05
本文编号：2339673
[Abstract]:The way of art communication is the way of the flow of art information. In the activities of art communication, works of art are the basis of investigating the activities of artistic communication. As the existence form of "image" and "materialization", Chinese calligraphy and painting works of art can be divided into two types: physical communication and non-physical communication. Physical communication is the transmission of original works of art, including the personal communication of the creators and the exhibition of works of art. Non-material communication can be divided into two types: mass communication and network communication. The above communication modes of Chinese calligraphy and painting art not only produce a certain order but also exist side by side. Each way of communication can improve and improve its own communication effect with the advantage of other modes of communication. Chinese calligraphy and painting communication mode changes with the change of media, and the change of communication mode will gradually cause people to appreciate and create changes. For the communication activities of calligraphy and painting art, physical communication mode and non-physical communication mode are a pair of contradictory unity, they complement each other, promote the change and development of painting and calligraphy art together.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J0-05
【引证文献】
相关期刊论文 前1条
1 章剑华;;中国书法的传统生存与发展方式——从传播的视角[J];艺术百家;2009年06期
相关博士学位论文 前1条
1 章剑华;中国书法的现代构建[D];南京艺术学院;2010年
相关硕士学位论文 前2条
1 万拥军;论书法在数字时代的有效传播[D];江西师范大学;2010年
2 刘青;中国美术生长的电视契合传播研究[D];西南大学;2008年
，本文编号：2339673
本文链接：https://www.wllwen.com/wenyilunwen/wenxuell/2339673.html
