关于当代中国大众艺术产业化经营的若干思考
发布时间：2019-03-27 08:26
【摘要】：自从在西方工业革命时代商品化、世俗化浪潮中兴起以来,到二十世纪五六十年代在西方社会兴盛、八九十年代向中国蔓延,大众艺术已经逐渐发展为一种文化产业,具有了商品的属性,这在客观上要求必须对其进行理论上的探讨。目前,国内外理论界关于大众艺术的研究虽然不少,但从艺术学和经济学两个角度,运用社会学和文化学两种方法研究大众艺术产业仍比较少,即使有也仅是就某一种门类艺术的单一论述。因此,研究大众艺术产业的经营,尤其是将大众艺术放在我国改革开放、市场经济体制不断完善过程中,是具有十分重要的现实意义的。 本文在研究过程中,尽量把握艺术学学科特点,坚持运用、借鉴马克思主义哲学、政治经济学的基本理论和社会学研究一些经验,探讨大众艺术产业的产生、现状、特征以及与其他艺术形态的关系。 论文的具体内容及理论框架如下: 论文分为引言、第一章、第二章、第三章、第四章、结语五个部分。 引言部分对论文的主要核心概念,如:“大众艺术”、“产业化”、“经营”等进行剖析与界定。尤其是对大众艺术这个范畴的使用,本文着重强调:它是艺术这一特殊实践形式在社会结构由“平民社会”或“市民社会”向“大众社会”转型过程中本能回应,是艺术形式与内容大众化的表现,其决定因素是艺术生产方式变革。 第一章主要梳理大众艺术产生的历史条件,并以马克思的精神生产理论,尤其是商品论和艺术生产理论为指导,着重分析大众艺术的产生以及产业化发展的条件。在这一章,大众艺术产品属性和大众艺术产生的决定因素-----艺术生产方式是论述的关键。 既然,当前大众艺术可以走产业化发展的道路,但发展状况如何呢?因此在论题研究的第二章我们运用事实说明的方法,分析比较西方发达国家大众艺术产业和当前我国大众艺术产业之间的差异,并力图归纳出影响我国大众艺术产业发展的主要障碍,从而引发论题研究的方向。 第三章主要是结合当前我国大众艺术产业中出现的问题,阐述、分析大众艺术产业主体,并进一步总结归纳出解决大众艺术产业发展障碍的一些建议。
[Abstract]:Since the rise of commercialization and secularization in the era of the Western Industrial Revolution, by the 1950s and 1960s it has flourished in the western society and spread to China in the 1980s and 1990s. Mass art has gradually developed into a cultural industry. Because of the attribute of commodity, it is necessary to discuss it in theory. At present, although there are a lot of researches on mass art in domestic and foreign theorists, there are still few studies on mass art industry from the angles of art and economics, using sociology and culturology. Even if there is, it is only a single exposition of a certain category of art. Therefore, it is of great practical significance to study the management of mass art industry, especially to put mass art in the process of reform and opening up in our country and the continuous improvement of market economy system. In the course of the research, this paper tries to grasp the characteristics of the subject of art, insist on its application, draw lessons from the basic theories of Marxist philosophy, political economics and sociological research, and discuss the emergence and present situation of the mass art industry. Features and relationships with other forms of art. The specific contents and theoretical framework of the thesis are as follows: the paper is divided into five parts: introduction, chapter one, chapter two, chapter three, chapter four, and conclusion. The introduction analyzes and defines the main core concepts of the thesis, such as "popular art", "industrialization", "management" and so on. In particular, the use of the category of popular art is emphasized in this paper: it is an instinctive response to the transformation of social structure from "civilian society" or "civil society" to "mass society" in this special form of practice. It is the expression of the popularization of artistic form and content, whose decisive factor is the change of artistic mode of production. The first chapter mainly combs the historical conditions of the emergence of mass art, and analyzes the conditions of the emergence and industrialization of mass art under the guidance of Marx's spiritual production theory, especially commodity theory and art production theory. In this chapter, the attributes of mass art products and the decisive factor of mass art production-art production mode are the key to the discussion. Since the current mass art can take the road of industrialization development, but what is the development status? Therefore, in the second chapter of the thesis study, we analyze and compare the differences between the popular art industry in the western developed countries and the current mass art industry in China by using the method of factual explanation. And try to sum up the main obstacles affecting the development of China's mass art industry, thus triggering the direction of topic research. The third chapter mainly discusses and analyzes the main body of the mass art industry and summarizes some suggestions to solve the obstacles in the development of the mass art industry according to the problems existing in the current mass art industry in our country.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J124
本文编号：2448030
[Abstract]:Since the rise of commercialization and secularization in the era of the Western Industrial Revolution, by the 1950s and 1960s it has flourished in the western society and spread to China in the 1980s and 1990s. Mass art has gradually developed into a cultural industry. Because of the attribute of commodity, it is necessary to discuss it in theory. At present, although there are a lot of researches on mass art in domestic and foreign theorists, there are still few studies on mass art industry from the angles of art and economics, using sociology and culturology. Even if there is, it is only a single exposition of a certain category of art. Therefore, it is of great practical significance to study the management of mass art industry, especially to put mass art in the process of reform and opening up in our country and the continuous improvement of market economy system. In the course of the research, this paper tries to grasp the characteristics of the subject of art, insist on its application, draw lessons from the basic theories of Marxist philosophy, political economics and sociological research, and discuss the emergence and present situation of the mass art industry. Features and relationships with other forms of art. The specific contents and theoretical framework of the thesis are as follows: the paper is divided into five parts: introduction, chapter one, chapter two, chapter three, chapter four, and conclusion. The introduction analyzes and defines the main core concepts of the thesis, such as "popular art", "industrialization", "management" and so on. In particular, the use of the category of popular art is emphasized in this paper: it is an instinctive response to the transformation of social structure from "civilian society" or "civil society" to "mass society" in this special form of practice. It is the expression of the popularization of artistic form and content, whose decisive factor is the change of artistic mode of production. The first chapter mainly combs the historical conditions of the emergence of mass art, and analyzes the conditions of the emergence and industrialization of mass art under the guidance of Marx's spiritual production theory, especially commodity theory and art production theory. In this chapter, the attributes of mass art products and the decisive factor of mass art production-art production mode are the key to the discussion. Since the current mass art can take the road of industrialization development, but what is the development status? Therefore, in the second chapter of the thesis study, we analyze and compare the differences between the popular art industry in the western developed countries and the current mass art industry in China by using the method of factual explanation. And try to sum up the main obstacles affecting the development of China's mass art industry, thus triggering the direction of topic research. The third chapter mainly discusses and analyzes the main body of the mass art industry and summarizes some suggestions to solve the obstacles in the development of the mass art industry according to the problems existing in the current mass art industry in our country.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J124
【引证文献】
相关期刊论文 前1条
1 刘昂;;山东民间艺术产业的创意研发[J];枣庄学院学报;2011年04期
相关博士学位论文 前1条
1 刘昂;山东省民间艺术产业开发研究[D];山东大学;2010年
相关硕士学位论文 前3条
1 钟声;文化创意产业理论与实践研究[D];广西师范大学;2008年
2 何阿珠;艺术产业背景下的艺术定位问题[D];厦门大学;2008年
3 杨闽;信息时代社会大众艺术素养的培养研究[D];南京邮电大学;2012年
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