论诗性思维的情感性特征影响下的怪诞艺术
发布时间：2019-06-10 03:41
【摘要】：诗性思维就是早期人类所表现出的感官感觉和想象力都极为发达的一种思维形式,古往今来的艺术思维都与这种思维形式的特点非常接近。诗性思维的情感性特征,是指在诗性思维的过程中始终伴随着创作主体强烈的情感活动,并以创作主体的情感倾向作为思维和行为的主要动力。在诗性思维的情感性特征的影响下,因为受某些特殊情感或特定意念的影响,原始艺术家在创造艺术形象时,常常或片面突出他们所想要表现的主要形象,或只突出表现对象最有特征的身体器官,并将其片面夸大,甚至加以极度夸张和过分强化,以致破坏了画面的整体和谐与比例协调,从而形成怪诞的艺术形象。
[Abstract]:Poetic thinking is a kind of thinking form in which the sensory feeling and imagination of early human beings are very developed, and the artistic thinking from ancient times to the present is very close to the characteristics of this form of thinking. The emotional characteristics of poetic thinking refers to the strong emotional activities of the creative subject in the process of poetic thinking, and takes the emotional tendency of the creative subject as the main motive force of thinking and behavior. Under the influence of the emotional characteristics of poetic thinking, because of the influence of certain special emotions or specific ideas, primitive artists often or unilaterally highlight the main images they want to express when they create artistic images. Or only highlight the most characteristic body organs of the object, and exaggerate it one-sided, and even exaggerate and strengthen it too much, thus destroying the overall harmony and proportion coordination of the picture, thus forming a grotesque artistic image.
【作者单位】： 中南民族大学文学院;
【基金】：国家社会科学基金项目“先秦两汉怪诞文学艺术研究”(11CZW013)阶段性成果之一
【分类号】：J110.9
[Abstract]:Poetic thinking is a kind of thinking form in which the sensory feeling and imagination of early human beings are very developed, and the artistic thinking from ancient times to the present is very close to the characteristics of this form of thinking. The emotional characteristics of poetic thinking refers to the strong emotional activities of the creative subject in the process of poetic thinking, and takes the emotional tendency of the creative subject as the main motive force of thinking and behavior. Under the influence of the emotional characteristics of poetic thinking, because of the influence of certain special emotions or specific ideas, primitive artists often or unilaterally highlight the main images they want to express when they create artistic images. Or only highlight the most characteristic body organs of the object, and exaggerate it one-sided, and even exaggerate and strengthen it too much, thus destroying the overall harmony and proportion coordination of the picture, thus forming a grotesque artistic image.
【作者单位】： 中南民族大学文学院;
【基金】：国家社会科学基金项目“先秦两汉怪诞文学艺术研究”(11CZW013)阶段性成果之一
【分类号】：J110.9
【共引文献】
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