潘诺夫斯基“隐蔽象征”理论研究

发布时间：2018-01-17 16:39

本文关键词：潘诺夫斯基“隐蔽象征”理论研究　出处：《浙江理工大学》2017年硕士论文　论文类型：学位论文

【摘要】：隐蔽象征这一观点是艺术史学家、图像学家欧文·潘诺夫斯基以1934年发表的文章《扬·凡·艾克的〈阿尔诺菲尼肖像〉》为前导,并在1953年出版的专著《早期尼德兰绘画:起源与特征》中正式提出的。其理论内涵是一种将象征寓意置入审美对象的母题形式之中而使审美对象同时具备母题形式与象征寓意的双重意义的视觉性艺术手法;其理论基石即所谓的图像意义三层次解释理论。从艺术表达的角度而论,隐蔽象征这一手法,能使审美对象的母题形式与象征寓意彼此独立、互不抵消;从艺术接受的角度而论,由于图像学阐释与审美经验活动具有相似性,因此,隐蔽象征的图像学阐释也是一种特殊的审美经验过程。隐蔽象征是一个象征手法上的相对概念,其所谓的“隐蔽”之处,主要体现于图像学阐释过程中其视觉文本在图像志分析层次的解释难度上。它对审美主体在文献知识、综合直觉的认知能力要求方面往往高于一般的视觉性象征手法,而无法立即或不易被审美主体的显意识所察觉;其象征内容在视觉上的隐蔽程度则会因为审美主体主观上的认知模型及客观上的时空情境等条件的变化而不同,有明显的相对性。故在运用这一观点进行图像学阐释时,应明确解释客体是否具备解释条件,谨防膨胀诠释。
[Abstract]:The idea of covert symbolism is led by art historian and graphologist Irwin Panofsky with the 1934 article "the portrait of Arnophini" by Jan van Ike. And published in 1953, "early Niederland painting:. Its theoretical connotation is a visual artist who puts the symbolic meaning into the motif of the aesthetic object and makes the aesthetic object have the dual meaning of the motif form and the symbolic meaning at the same time. Law; From the angle of artistic expression, hidden symbolism can make the motif and symbolism of aesthetic objects independent of each other and not offset each other. From the perspective of artistic acceptance, the hermeneutics of graphics and aesthetic experience activities have similarities, so. The pictorial interpretation of covert symbolism is also a special process of aesthetic experience. Covert symbolism is a relative concept of symbolism, which is called "concealment". It is mainly reflected in the difficulty of interpreting the visual text in the level of image log analysis in the process of image interpretation, which is the literature knowledge for the aesthetic subject. The cognitive ability requirement of comprehensive intuition is often higher than that of general visual symbolism, but can not be detected immediately or not easily by the explicit consciousness of aesthetic subject; The degree of visual concealment of its symbolic content will be different from the change of subjective cognitive model and objective space-time situation of aesthetic subject. Therefore, when we use this viewpoint to interpret the image, we should make it clear whether the interpretation object has the interpretation condition or not, and guard against the expansion of the interpretation.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J01

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