强制阐释论的文学性诉求

发布时间：2018-03-26 03:44

本文选题：强制阐释　切入点：文学性　出处：《学术研究》2016年09期

【摘要】：强制阐释论通过回归文学本体与文学文本,表达了对文学性的诉求。一方面,为文本圈定文学边界,建构起作者—文本—读者三位一体的文学理论与批评体系,不仅对揭示和规避当代西方文论以泛文本性取代文学性、以阐释者为中心的谬误具有重要的启示价值,而且对正确理解文学意义的生成具有重要的学理意义;另一方面,以实践论为基点,强调文学实践和经验对于文学理论的重要价值,提出理论与批评、理论与文学的辩证法,不仅有力地批判了强制阐释混乱的认识路径,纠正了中国当下学院派文学研究理论脱离实践之弊,而且对于建设以实践性为品格、以民族性为特色的中国文论话语体系具有重要的指导意义。
[Abstract]:The theory of forced interpretation expresses the demand for literariness by returning to literary Noumenon and literary text. On the one hand, it defines the literary boundary for the text and constructs a literary theory and criticism system in which the author, the text and the reader are trinity. It not only has important enlightening value for revealing and evading the contemporary western literary theory of replacing literariness with pan-text, but also has important theoretical significance for correctly understanding the generation of literary meaning, on the other hand, it is of great significance to the interpretation of the error-centered fallacy. Based on the theory of practice, this paper emphasizes the important value of literary practice and experience to literary theory, and puts forward the dialectics of theory and criticism, theory and literature, which not only criticizes the cognitive path of compulsory interpretation confusion. It corrects the current academic literary research theory in China, which is divorced from practice, and has important guiding significance for the construction of the discourse system of Chinese literary theory with practicality as its character and nationality as its characteristic.
【作者单位】：安庆师范大学文学院;
【基金】：国家社科基金重大项目“20世纪中国美学史”(12&ZD111) 安徽省哲学社会科学规划青年项目“朱光潜语言诗学思想研究”(AHSKQ2014D102) 安徽省2016年高校优秀青年人才支持计划重点项目“20世纪中国现代语言诗学史研究”(gxyq ZD2016203)的阶段性成果
【分类号】：I0

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