论海德格尔的艺术本源论

发布时间：2018-04-03 10:04

本文选题：海德格尔　切入点：艺术　出处：《湖南师范大学》2009年硕士论文

【摘要】： 艺术的本源问题是美学中的基本问题,历代哲学家美学家对此有着各种不同的理解和阐释。海德格尔摒弃了传统的,从对现象和逻各斯的界定开始构建他的存在论哲学,并在此基础上针对当时美学的无根性重新解释了这个问题,具有开创性的意义。本文的思路在于理清海德格尔的艺术本源论产生的背景、内容、意义及其局限性,分为三个部分: 第一部分:从“本源”的概念出发理清海氏本源论与传统本源论的区别所在,重点论述传统艺术本源论。海德格尔的“本源”问题对应着传统的艺术起源和本质的问题,笼统地说也就是“艺术之谜”。因为海德格尔在这个问题上的独特性很强,译者没有办法直接将海德格尔的艺术本源论译作“起源论”或“本质论”,这才出现了“本源”一词。传统的关于艺术之谜的论述是海德格尔研究的起点,也是其批判的对象。第二部分:论述海德格尔的艺术作品本源论的主体部分。海德格尔研究艺术本源论的最重要作品为《艺术作品的本源》,从这篇文章我们可以找到海氏艺术本源论的主体部分:物、器具、作品;艺术与真理;艺术与语言;艺术与历史等;在完成对艺术本源论主体部分的建构之后总结一下海氏艺术本源论的地位,由于海德格尔艺术本源论注重在对传统本源论的批判之上得出结论,所以具有鲜明的独创性和革命性:在艺术的起源与消亡、艺术创作者与接受者的地位、艺术与美和真的关系等问题上提出了新的见解;而这些见解与时代潮流是密不可分的。第三部分,总结艺术本源论的现实意义与疏漏之处。其现实意义在于将人从无根状态唤醒,指引人们寻回家园;疏漏之处在于,海德格尔想要补救以往艺术本源论的片面之处的出发点是不错的,但正如他所言,致力于建立一种从本身的角度来看都具有可批判性的理论是艰难的,但这正是他努力的方向。本文对其进行批判虽然笨拙,也不失顺其本意。
[Abstract]:The origin of art is a basic problem in aesthetics, which has been interpreted and interpreted by philosophers and estheticians of all ages.Heidegger abandoned the tradition and constructed his existential philosophy from the definition of phenomena and logos. On this basis, Heidegger reexplained the problem in the light of the rootlessness of aesthetics at that time, which was of pioneering significance.The idea of this paper is to clarify the background, content, significance and limitations of Heidegger's theory of artistic origin, which is divided into three parts:The first part: from the concept of "origin" to clarify the difference between Hay's theory of origin and traditional theory of origin, focusing on the origin of traditional art theory.Heidegger's original problem corresponds to the origin and essence of traditional art.Because Heidegger is very unique on this issue, the translator can not directly translate Heidegger's theory of artistic origin into "Origin Theory" or "essence Theory".The traditional exposition of art riddles is the starting point of Heidegger's research and the object of his criticism.The second part: discusses Heidegger's works of art origin of the main part of the theory.The most important work of Heidegger's study of the origin of art is "the Origin of Art works". From this article, we can find the main parts of Heidegger's theory of the origin of art: objects, utensils, works, art and truth, art and language, art and language, art and truth, art and language, art and language, art and truth, art and language.Art and history; after completing the construction of the main body of the theory of the origin of art, this paper sums up the position of Heidegger's theory of the origin of art, because Heidegger's theory of the origin of art focuses on the criticism of the traditional theory of origin.Therefore, it has distinct originality and revolution: it puts forward new views on the origin and extinction of art, the position of art creators and recipients, the relationship between art and beauty and truth, and these views are inseparable from the trend of the times.The third part summarizes the practical significance and omissions of the theory of the origin of art.Its practical significance is to awaken people from the rootless state and guide people to find their homes. The omission lies in the fact that Heidegger's intention to remedy the one-sided nature of the previous artistic origin is good, but as he said,It is difficult to work on a theory that is critical from its own point of view, but that is where he works.This article criticizes it, though clumsy, does not lose its original intention.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J01

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