佛教初入期之“图志”“史志”的美学化捩转

发布时间：2018-04-23 22:26

  本文选题：佛教 + 图志　； 参考：《民族艺术》2017年02期

【摘要】：在佛教初入时期,中国艺术有效吸取异域资源,打破了过去相对封闭和单一的历史传承。对于中印文化交接,学界以往从佛教被误读为"黄老方术"进行阐释,忽略佛教初入时"图像""图志"呈现的审美、艺术表现特征,也忽略了"图志"被进一步"史志"化才巩固为精神信仰交流的历史事实和过程。佛教初入期的"图志"呈现的特殊意义,具有民族文化志的审美、艺术学交遇的逻辑合理性。而"图志"向"史志"的本质转换,则在艺术图像、图式中增加了历史轶事和学术、文化叙述成分,使原来偏于审美观感的形态转为美学、艺术学的反思形态,实现了根本上超越原有文化局限,进而推动佛教深入到中国文化巨变的中心。其结果:佛教思想和美学智慧通过佛教翻译形态得到有效地转存。那些最初想象性的、猜测性的审美和美学因素,逐渐借助佛经翻译形态获得价值表达,佛教从此基于深层文化精神、观念展开其传播,佛教的美学智慧对中国人的精神观念和价值结构产生了深切有效的影响。
[Abstract]:In the initial period of Buddhism, Chinese art absorbed foreign resources effectively, breaking the relatively closed and single historical inheritance of the past. As for the cultural transition between China and India, the academic circles have in the past misinterpreted Buddhism as "Huang Lao Fang Shu", ignoring the aesthetic and artistic expression characteristics of "image" and "Tu Zhi" in the beginning of Buddhism. It also ignores the historical fact and process that Tu Zhi was further consolidated into spiritual belief exchange. The special significance of "Tu Zhi" presented in the initial period of Buddhism has the logic rationality of the aesthetic of national culture and the encounter of art. The essential transformation from "Tu Zhi" to "Shi Zhi" adds historical anecdotes, academic and cultural narration elements to the artistic images and schemata, so as to turn the form of aesthetic perception into the form of aesthetics and reflection of art. It has fundamentally transcended the original cultural limitations and pushed Buddhism to the center of the great changes in Chinese culture. The result is that Buddhist thought and aesthetic wisdom are transferred effectively through Buddhist translation form. The original imaginative and speculative aesthetic and aesthetic factors gradually obtained the expression of value with the help of the translation form of the Buddhist scriptures. From then on, Buddhism spread its ideas based on the deep cultural spirit. The aesthetic wisdom of Buddhism exerts a profound and effective influence on the spiritual concept and value structure of Chinese people.
【作者单位】： 江南大学人文学院;
【基金】：国家社科基金项目“中古后期佛教般若范畴与美学流变研究”(13BZW014)阶段性成果
【分类号】：B949;J01
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本文编号：1793921