中国当代艺术进程中的“观众”与“西方”

发布时间：2018-06-22 07:23

本文选题：现实主义 + 艺术制度　；参考：《中国美术学院》2010年硕士论文

【摘要】： 打破线性的叙事方式,采用“知识考古”的方式重新论述和组织中国当代艺术的发展历程和线索是本篇论文的基本方法。本篇论文采取建构观念单元(Unit Ideas)的形式组织书写,通过前期大量的文献阅读和社会实践,摘取出“观众”和“西方”作为论文的两个主题。这里需要注意的是,作为始终伴随中国当代艺术发展的两个基本要素,“观众”和“西方”这两个核心概念之间不是简单的延伸和递进关系,它们相互映照、彼此叠加,提示出了当代艺术发展的两个面向。作为“中国当代艺术关键词考察计划”的第一部分,本次论文通过对不同时代背景和具体案例的对比和分析,梳理了“观众”和“西方”在不同艺术史事件中扮演的角色和施加影响的方式。“观众”作为艺术作品的交流对象,同时还暗含了一种潜在的评判标准,经过几十年的变动,其地位和主体发生了怎样的变化?“西方”在整个80年代发生了怎样的意义嬗变,它在不同时期如何对中国当代艺术产生影响?这是本篇论文试图回答的两个基本问题。
[Abstract]:It is the basic method of this paper to break the linear narrative way and rediscuss and organize the development course and clue of Chinese contemporary art by the way of "knowledge archaeology". This paper adopts the form of Unit ideas to organize and write. Through a large amount of literature reading and social practice in the early stage, the author selects "audience" and "the West" as the two themes of the thesis. What needs to be noted here is that, as two basic elements that have always accompanied the development of Chinese contemporary art, the two core concepts of "audience" and "West" are not simple extension and progressive relations, they reflect each other and superimpose each other. This paper points out two aspects of the development of contemporary art. As the first part of the "Chinese Contemporary Art keyword investigation Plan", this paper compares and analyzes the different historical backgrounds and specific cases. This paper combs the role and influence of audience and West in different events of art history. "audience" as the object of communication of the works of art, but also implied a potential standard of evaluation, after decades of changes, its status and subject has changed? How did the "West" change in significance throughout the 1980s, and how did it affect Chinese contemporary art in different periods? These are two basic questions this paper tries to answer.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J05

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