篡改的语法——浅析图像时代下的图像“真实”和现实“真实”

发布时间：2018-07-04 11:45

本文选题：世界图像 + 图像意识　；参考：《中国美术学院》2009年硕士论文

【摘要】： 人类的视觉图像史就是一部用眼睛不断探知外部世界,不断追求形似再现的心理学发展史。而受近代西方哲学中所谓的“笛卡尔传统”,即通过科学的手段探求确实可靠知识的、不带偏见的、理性的、不受观察者的情感和主观左右的调查事物的方法,图像史逐渐演进为一部技术史。所以如果说艺术史的中心任务是研究视觉图像,那么“图像”的真实性问题所关注的就是视觉再现与机械技术的关系。但是,鉴于视觉文化研究的交叉学科性质,决定了其视角和结论的多元化。就图像演变的动因而言,应是多方因素的合力效应。当今时代是一个“世界被编码为图像”的“图像时代”(传媒界亦称之为“读图时代”),本文在这样的语境下,从视觉文化研究的角度,以现象学意义的“图像意识”入手,通过对“图像时代”以摄影和数字化虚拟图像为主的图像形式的特征分析及其演变的线性介绍,结合工业社会意识形态下人的“单向度”表征,和消费时代“奇观社会”的单一维度,辅以社会学、心理学、语言符号学范畴的概念加以论证,分析了图像的“真实”终将遮蔽并消耗、替代现实的“真实”这一现象,引发对摄影及数码拟像装扮的“真实”性的质疑和反思。
[Abstract]:The history of human visual image is a history of psychological development, which is constantly exploring the external world with the eyes, and constantly pursuing the development of psychological development like the "Descartes tradition" in modern western philosophy, that is, to seek true and reliable knowledge by scientific means, without prejudice and reason, and not to be influenced by the emotion and subjective right and left and right of the observer. The history of image history has gradually evolved into a history of technology. So if the central task of art history is to study visual images, the question of the authenticity of "image" is concerned with the relationship between visual reproduction and mechanical technology. However, in view of the nature of the cross discipline of visual culture research, the visual angle and conclusion are determined. As far as the motivation of the evolution of the image is concerned, it should be the resultant force effect of the multiparty factors. The present era is a "image age" (the world is encoded as image "), which is also called the" reading age "by the media. In this context, from the perspective of visual culture, the" image consciousness "of phenomenological meaning is started, through the visual culture research. The characteristic analysis and the linear introduction of the image form in the "image age" based on photography and digitized virtual images, and the linear introduction of its evolution, are demonstrated in combination with the "unidirectional" characterization of the industrial social ideology, and the single dimension of the "spectacle society" in the consumption age, and the concept of sociology, psychology and linguistic semiotics. The phenomenon that the "authenticity" of the image will eventually be covered and consumed, instead of the reality of "reality", has led to the question and Reflection on the "authenticity" of photography and digital image disguise.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J02

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