现代文学观念变革对文学理论研究范式的影响

发布时间：2018-07-12 20:41

本文选题：文学观念 + 研究范式　；参考：《吉林大学》2016年硕士论文

【摘要】：毫无疑问,在当下文学理论研究中,文化研究已经成为一显学,大有取代传统文学理论研究之势。加之,前几年“文学死亡论”的出现,传统文学研究本身已经越来越成为问题。文学理论研究到底是应该以文学为中心,还是应该以文化为中心,是应该以审美为中心,还是应该以意识形态为中心,成了问题的焦点。面对各方争论。本论文试图从文学观念的变革入手,通过考察现代文学观念的变革,来研究当下文学理论所面临的机遇与挑战。本论文试图说明的基本观点是,我们通常理解的文学,是从中世纪之后,经过文学的民族化和德国古典美学开启的审美化运动之后的产物。这种文学观念一直到20世纪60年代文化研究的兴起才受到全面的挑战。文化研究一方面置换了文学研究的对象,使文学理论的研究对象由经典的文学文本转向文化文本;另一方面,文化研究中的意识形态理论,又对审美鉴赏做意识形态分析,将文学审美的超越性拉回到具体的社会历史文化语境中。两方面合力最终推动了文学观念的变革。由于文学研究中文学观念及研究对象的变化,致使文学研究的理论方法也随之改变。一方面不满足于传统文学理论对现实的无力感,理论要求对传统文学理论方法进行批判;另一方面,对社会现实的不满,又要求理论直接对社会现实进行批判。而这两方面任务在具体的理论批评中又是相互交叉、相互作用的,并最终促使文学研究由以审美性和经典文学文本为中心的文学研究范式转向以意识形态性和文化文本为中心的文化研究范式,由“文学理论”走向“理论”和“理论之后”。
[Abstract]:There is no doubt that in the current literary theory research, cultural research has become a prominent study, which has a great potential to replace the traditional literary theory research. In addition, with the emergence of Literary death Theory a few years ago, the study of traditional literature has become more and more problematic. Whether the study of literary theory should focus on literature, culture, aesthetics or ideology has become the focus of the problem. In the face of controversy. This paper attempts to study the opportunities and challenges of the present literary theory by examining the changes of the modern literary concepts from the point of view of the transformation of literary concepts. The basic point of this thesis is that the literature we usually understand is the result of the nationalization of literature and the aesthetic movement initiated by German classical aesthetics since the Middle Ages. It was not until the rise of cultural studies in the 1960s that the concept of literature was comprehensively challenged. On the one hand, cultural studies have replaced the objects of literary studies, making the research objects of literary theory from classical literary texts to cultural texts; on the other hand, ideological theories in cultural studies have made ideological analysis of aesthetic appreciation. The transcendence of literary aesthetics is drawn back to the specific context of social history and culture. The joint efforts of the two sides finally promoted the reform of literary ideas. Because of the change of the concept and object of Chinese literature study, the theory and method of literature research also change. On the one hand, it is not satisfied with the weakness of the traditional literary theory to the reality, and the theory requires criticizing the traditional literary theory and methods; on the other hand, the dissatisfaction with the social reality requires the theory to criticize the social reality directly. And these two tasks intersect and interact with each other in specific theoretical criticism. In the end, the literary study changes from a literary research paradigm centered on aesthetics and classical literary texts to a cultural research paradigm centered on ideology and cultural text, from "literary theory" to "theory" and "after theory".
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I0

【相似文献】