在伟大的时代,重振崇高之风
发布时间：2018-11-25 18:59
【摘要】：崇高原本是一种艺术风格,后来在现代美学的建立过程中,发展成为一种美学范畴。这样,一种原本形容词性的对风格的描述,变成了一种具有名词性的存在,并由此获得力量,影响艺术和审美。在中国,曾经有过真崇高时代,伪崇高年代,又有了躲避崇高时期。今天,我们所需要的是崇高的复归,从崇高汲取力量,影响当下的文学艺术。
[Abstract]:Sublimity, originally an artistic style, developed into an aesthetic category in the course of the establishment of modern aesthetics. In this way, an adjective description of style becomes a nominally present, and thus gains strength to influence art and aesthetics. In China, there have been true sublime times, false sublime times, and evasive sublime periods. What we need today is the restoration of sublime, drawing strength from sublime and influencing the present literature and art.
【作者单位】： 中华美学学会;
【分类号】：I01
本文编号：2357105
[Abstract]:Sublimity, originally an artistic style, developed into an aesthetic category in the course of the establishment of modern aesthetics. In this way, an adjective description of style becomes a nominally present, and thus gains strength to influence art and aesthetics. In China, there have been true sublime times, false sublime times, and evasive sublime periods. What we need today is the restoration of sublime, drawing strength from sublime and influencing the present literature and art.
【作者单位】： 中华美学学会;
【分类号】：I01
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