视觉艺术中“气”的思想

发布时间：2018-12-10 07:00

【摘要】：“气”是中国古代美学、艺术理论使用最广的范畴之一。它在由哲学范畴向美学范畴的转化过程中，其审美的心理内涵和艺术内涵越来越丰富，它以宇宙生命为依归的万物一体观孕育了中国古代审美意识的生命精神，甚至构成了以“气”为内在逻辑的审美心理体系，对美学理论和艺术创作产生了重大影响。我们当代的视觉艺术作品中，，同样蕴藏着“气”这种“无”形的存在。一件艺术品要“生动”起来和“活”起来，纯然是由于运行流淌于其中的“气”所致，或者说，由于气的运行才使得作品生动起来。作为运动和流淌在作品中的“气”，在艺术作品中有多重含义：有时指被表现的“有”形对象蕴藏的属于内在生命活力的“无”形的东西；有时指作者投放和映射在作品形象中作者的个己性格、气质、情感、思想等“无”形的东西；有时又指整个作品的形式结构所呈现出的属于“无”形存在的观念形态的意图、意旨、意义和意味等。所以我们要研究“气”的思想和它所涵盖的内容和意义，因为“气”能使艺术作品充满活泼、灵动的生命之气，使作品带有愉人心目的美的律动和节奏。同时也能使作品产生由实趋虚的含蓄之美和余音缭绕的艺术氛围。每一件艺术品，每一张画都有自己的生命，作品创作的过程也就是作者的一段心灵旅程。每个作品都会有自身的问题和形成的过程，就如每个人在世界上，都有不同的性格、不同的发现事物角度和生活体验。画家接触到画面将感情移入，与作品一起进步、成长、交流。或许，在经历苦苦追求却寻不到灵感的焦躁和急切后，很可能的忽然发现，其实它就在心中。某个时候你发现它就在你身上或者在某个地方。
[Abstract]:Qi is one of the most widely used categories in ancient Chinese aesthetics and art theory. In the course of its transformation from philosophical category to aesthetic category, its aesthetic psychological and artistic connotations are more and more abundant, and its concept of integration of all things based on universal life has given birth to the life spirit of aesthetic consciousness in ancient China. Even formed the "Qi" as the internal logic of the aesthetic psychological system, to aesthetic theory and artistic creation has a major impact. In our contemporary visual art works, there is also the existence of "Qi". A work of art should be "vivid" and "alive" simply because of the "qi" that runs in it, or because of the movement of qi. As a movement and flowing in the work of "Qi", in the works of art has many meanings: sometimes refers to the performance of the "have" form of the object contained in the internal vitality of the "no" shape; Sometimes refers to the author's personal character, temperament, emotion, thought, etc. Sometimes it refers to the intention, meaning and meaning of the form structure of the whole work. Therefore, we should study the thought of Qi and the content and meaning it covers, because Qi can make the works of art full of lively and vivid life spirit, and make the works have the rhythm and rhythm of beauty in the mind of the people. At the same time, it can also make the works from the reality of the implicit beauty and the aftertone filled the artistic atmosphere. Every work of art, every painting has its own life, the creation process is the author's spiritual journey. Each work has its own problems and processes of formation, such as each person in the world, has a different personality, different perspectives of discovery and life experience. The artist contacts the picture to move the emotion into, progress, grow, communicate with the work together. Perhaps, in the experience of hard pursuit but can not find inspiration and impatience, it is likely to suddenly find, in fact it is in the heart. At some point you find it on you or somewhere.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J120.9

【共引文献】