生命的双重观照——论柏格森美学的动态发展
发布时间：2018-12-10 21:42
【摘要】：柏格森美学对西方现代文艺思想影响巨大。“关注生命”是柏格森生命哲学的核心,也是其美学思想的出发点。在柏格森哲学进程中,生命概念经历了从意识到物质再到记忆的概念重构,经历了从直觉到绵延再到道德的无形超越,既指形下的“生活”,也指形上的“精神”。所以,“关注生命”意味着对生命的双重观照,一是艺术既要关注当下,借助智能反映现实生活;二是超越功利,凭借直觉去感知绵延实在。一如流动的生命,柏格森美学并非静态的既成物,而是历经了一个动态的发展过程:从生活到生命、从喜剧到艺术、从同情到直觉,从行动到道德,柏格森的美学图式与其哲学演变紧密相伴,形影相随,动态统一。
[Abstract]:Bergson's aesthetics has a great influence on the western modern literary thought. Paying attention to Life is the core of Bergson's philosophy of life and the starting point of his aesthetic thought. In the course of Bergson's philosophy, the concept of life has gone through the reconstruction of the concept from consciousness to substance to memory, and the intangible transcendence from intuition to continuity to morality, which refers to the "life" under the form as well as the "spirit" in the form. Therefore, "paying attention to life" means the double reflection of life, one is that art should pay attention to the present, and the other is to transcend utilitarianism and perceive the reality by intuition. Like flowing life, Bergson's aesthetics is not a static vested thing, but a dynamic development process: from life to life, from comedy to art, from compassion to intuition, from action to morality. Bergson's aesthetic schema is closely associated with the evolution of his philosophy.
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本文编号：2371244
[Abstract]:Bergson's aesthetics has a great influence on the western modern literary thought. Paying attention to Life is the core of Bergson's philosophy of life and the starting point of his aesthetic thought. In the course of Bergson's philosophy, the concept of life has gone through the reconstruction of the concept from consciousness to substance to memory, and the intangible transcendence from intuition to continuity to morality, which refers to the "life" under the form as well as the "spirit" in the form. Therefore, "paying attention to life" means the double reflection of life, one is that art should pay attention to the present, and the other is to transcend utilitarianism and perceive the reality by intuition. Like flowing life, Bergson's aesthetics is not a static vested thing, but a dynamic development process: from life to life, from comedy to art, from compassion to intuition, from action to morality. Bergson's aesthetic schema is closely associated with the evolution of his philosophy.
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本文编号：2371244
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