王德威的华语语系文学研究之研究

发布时间：2018-03-23 06:24

本文选题：王德威　切入点：华语语系文学　出处：《福建师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：近年来,海外汉学研究的成果与动态在国内学界引起了广泛的关注和极大的讨论。王德威的“想象中国”正是其中之一,掀起了国内学界80、90年代以来,一股“想象”理论的高潮。本文主要围绕“想象”与“现代性”两个议题展开论述。试图从王德威的历史研究方法及其小说观,来考察其“想象”一词的理论意涵。特别是他受到福柯的“知识考古学”影响,在“非连续性”史观,空间坐标选取,话语的媒介性这三个方向上对福柯理论的洞察,以其作为建构“想象”方法的重要理论资源之一。然而,王德威又不为其所限,他在研究中落实了自己的论述位置,使得“想象”跳脱了国族“大叙事”的怪圈,强调小说(文学)“无中生有”的创发力量,为小说(文学)提供了与大历史对话的契机,从而得出他的“想象”强调的不是“真实”,而是一种“以虚击实”的想象的结论。王德威还辅以“被压抑的”现代性想象,“后遗民”的现代性想象,“抒情传统”的现代性想象为解读进路,详细分析“以虚击实”的用力所在,即对“被压抑”的历史的挖掘,“幻魅现实主义”的招魂论述,抒情诗学的创发与传统的翻译这三项论题的探讨。这三个方面又是互有交集,互为因果。以“后遗民”论述的“第三”立场,建构了一个未被说出来的历史,而“抒情”正是这一“想象”的话语言说方式。此外,结合王德威提出的"Sinophone",即从语系观念,考察大陆与海外的整个华语文学的时空想象,本文提出现代性的“怪兽性”与“时间性”,力求为反思现代性的进程提供另一种叙述空间。
[Abstract]:In recent years, the achievements and trends of overseas Sinology research have aroused extensive attention and great discussion in the domestic academic circles. Wang Dewei's "imagine China" is one of them, which has set off the domestic academic circles since the 1980s and 1990s. This paper focuses on the two topics of "imagination" and "modernity". In particular, he is influenced by Foucault's "intellectual archaeology" and his insight into Foucault's theory in the three directions of "discontinuity" historical view, spatial coordinate selection, and medium of discourse. As one of the important theoretical resources to construct the method of "imagination", however, Wang Dewei is not limited by it. In his research, he has carried out his own discussion position, making "imagination" jump out of the strange circle of "great narration" of the national people. Emphasizing the creative power of fiction (literature), which provides an opportunity for the dialogue between fiction (literature) and the great history, It is concluded that his "imagination" emphasizes not "reality", but a kind of imagination "attacking reality by falsehood". Wang Dewei is supplemented by "repressed" modern imagination, "post-bereavement" modernity imagination, and "lyric tradition". Modern imagination in order to interpret the way, This paper analyzes in detail the force of "attacking reality by falsehood", that is, the excavation of the history of "suppressed", the exposition of the soul of "fantasy realism", the creation of lyric poetics and the discussion of traditional translation. The three aspects are intersected. Based on the "third" position of "the late bereaved", the author constructs an unspoken history, and "lyricism" is exactly the way of utterance of "imagination". In addition, combined with the "Sinophone" put forward by Wang Dewei, that is, from the perspective of language, Considering the space-time imagination of the whole Chinese literature in mainland China and overseas, this paper puts forward the "monster" and "timeliness" of modernity, and tries to provide another narrative space for the process of introspection of modernity.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I106

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