试论近松门左卫门的女性形象塑造——以《大经师昔历》中阿姗的形象为中心

发布时间：2018-04-10 13:36

  本文选题：试论 + 松门　； 参考：《文艺争鸣》2013年05期

【摘要】：正近松门左卫门,是日本江户时代古典戏剧作家,享有"日本莎士比亚"的盛誉。他一生共创作了人形净琉璃剧目120余篇。既有对英雄传说、历史故事的加工、润色,也有对时下市井生活、新闻事件的借鉴和改编。在近松的再整合、再创造的过程中,很多作品的主题出现了重心位移或根本转换,人物形象的刻画也产生了相应的转变,而
[Abstract]:Is near the Matsumoto left door, is the Japanese Edo era classical drama writer, enjoys "Japanese Shakespeare" the reputation.In his life, he has created more than 120 plays in the form of pure glaze.There are not only heroic legends, historical stories processing, polish, but also to the market life, news events reference and adaptation.In the process of re-integration and re-creation, the theme of many works has been shifted or fundamentally changed, and the portrayal of characters has also produced corresponding changes.
【作者单位】： 吉林大学外国语学院;
【分类号】：I313.073
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本文编号：1731415