马斯洛所谓的基本需要与故事性艺术的圆满结局

发布时间：2018-04-16 21:01

本文选题：马斯洛 + 基本需要　；参考：《戏剧艺术》2013年01期

【摘要】：本文旨在探讨中国古代小说、中国古代戏曲和好莱坞电影等讲故事或演故事的艺术作品中常见的圆满结局之生成的社会心理机制。为什么中国古代小说、戏曲和好莱坞电影往往有着三类圆满结局?为什么中国古代小说、戏曲有着呈现圆满结局的倾向性而西方前现代(20世纪之前)小说、戏剧却没有呈现圆满结局的倾向性?为什么中国古代小说、戏曲与好莱坞电影在呈现圆满结局时有着不少差异?要解答上述问题,我们无法绕开马斯洛《动机与人格》中的基本需要说。实际上,故事性艺术作品的圆满结局也正是基本需要说最能发挥其理论阐释力的艺术现象。
[Abstract]:The purpose of this paper is to explore the social and psychological mechanism of the formation of satisfactory outcomes in storytelling or storytelling works of art such as ancient Chinese novels, ancient Chinese operas and Hollywood movies.Why do ancient Chinese novels, operas and Hollywood movies often have three happy endings?Why Chinese ancient novels and operas have the tendency to present a happy ending, while the western premodern period before the 20th century) novels, but the drama did not show the tendency of the happy ending?Why are there many differences between Chinese ancient novels, operas and Hollywood movies when they present a satisfactory ending?To answer these questions, we cannot bypass the basic need in Maslow's motivation and Personality.As a matter of fact, the happy ending of a work of art of story is the art phenomenon which can give full play to its theoretical explanation.
【作者单位】：上海戏剧学院;
【基金】：上海市教委科研创新项目《中国古代小说中的艺术正义》(11ZS155) 上海高校创新团队(第二期)发展计划资助
【分类号】：I207.41;I106.3

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