《青草在歌唱》的叙述文体学分析

发布时间：2018-05-22 07:27

本文选题：莱辛 + 《青草在歌唱》　；参考：《江西师范大学》2012年硕士论文

【摘要】：多丽丝·莱辛是英国杰出女作家。她于2007年获得诺贝尔文学奖。莱辛的第一部小说《青草在歌唱》自出版以来引起了世人的广泛关注，同时为莱辛赢得声誉。该小说讲述了三十年代在南部非洲殖民地上一位白人妇女的悲剧人生和土著人的反抗。很多学者从种族，性别，情爱，社会等方面来分析女主人公玛丽悲剧形成的原因。本文尝试运用叙述文体学方法对《野草在歌唱》这部小说进行综合分析，从而对人物的悲剧和土著人的反抗有着更深刻的理解，发现该作品形式和主题的相互关系，挖掘作品的美学效果与艺术价值。本文共有七个部分。引言部分简要介绍作家莱辛、《青草在歌唱》的研究现状、本文的写作意义以及研究方法。第二章主要介绍叙述文体学的四个方面，即人物的刻画、场景、空间形式及视角。第三章就玛丽和摩西两位人物进行了探讨。着重分析玛丽的声音和习惯性动作“哭泣”及摩西的外表和命名方式。玛丽的声音在不同的生活阶段发生相应的变化。摩西的高大形象和无畏的眼神及摩西的命名，一方面说明小说作者对摩西的赞赏，另一方面也反映出白人对黑人的畏惧。第四章从房子、农场、灌木丛等场景的主题意义和对人物的影响进行分析。房子的结构和建设材料一方面说明了黑人与白人之间的区别及白人的优越性，同时也是使玛丽处于困境当中的原因之一。农场的地理位置的封闭性使玛丽与其他人群发生隔离和疏远。象征着土著人的灌木丛让玛丽心神不宁。第五章探讨了小说中两种空间形式：圆圈结构和漩涡结构。玛丽重复她父母的婚姻生活形成了圆圈结构，同时玛丽生活由农村到小镇再到农村形成了一种圆圈结构形式。而漩涡结构最主要表现是玛丽的疯癫和死亡成为玛丽生活的中心。尽管她试图逃离这种无形的力量，最终还是走向死亡。第六章阐述人物内视角转换，就白人视角下的摩西进行分析。摩西在白人眼里显得高大，无畏。但是摩西的内心世界却无法被白人洞悉，同时白人从未关注过他的五官除了他的眼神。这说明白人与土著人之间不可逾越的鸿沟。结论部分简要概括了叙述叙述文体学，总结了论文的论点，并指出叙述文体学不仅可以对主题有着更深刻的理解而且还可以挖掘莱辛的写作艺术。
[Abstract]:Doris Lessing is an outstanding British woman writer. She won the Nobel Prize for Literature in 2007. Lessing's first novel, Green Grass singing, has attracted worldwide attention since its publication and earned Lessing a reputation. The novel tells the tragic life of a white woman in a Southern African colony in the 1930 s and the revolt of the indigenous people. Many scholars analyze the causes of the heroine Mary's tragedy from the aspects of race, sex, love and society. This paper attempts to make a comprehensive analysis of the novel "Wild Grass singing" by means of narrative stylistics, so as to have a deeper understanding of the tragedy of the characters and the resistance of the indigenous people, and to find out the interrelationship between the form and the theme of the novel. Excavate the aesthetic effect and artistic value of the works. There are seven parts in this paper. The introduction briefly introduces the writer Lessing, the present situation of the study of grass in singing, the writing significance and research methods of this paper. The second chapter mainly introduces the four aspects of narrative stylistics, namely the characterization of characters, scene, spatial form and perspective. The third chapter discusses the two characters of Mary and Moses. Emphasis is placed on Mary's voice and habitual movements, crying, and Moses' appearance and nomenclature. Mary's voice changed at different stages of her life. The tall figure and fearless eyes of Moses and the name of Moses, on the one hand, show the author's admiration for Moses, on the other hand, the white people's fear of black people. The fourth chapter analyzes the theme meaning of house, farm, bush and so on. The structure and construction materials of the house not only illustrate the difference between black and white superiority, but also one of the reasons why Mary is in trouble. The closeness of the farm kept Mary isolated and alienated from the rest of the population. The thickets, which symbolize the aborigines, upset Mary. Chapter five discusses two kinds of spatial forms in the novel: circle structure and whirlpool structure. Mary repeated her parents' marriage and formed a circle structure, while Mary's life from the countryside to the small town to the countryside formed a form of circle structure. And the vortex structure is the main manifestation of Mary's madness and death become the center of Mary's life. Although she tried to escape this invisible force, she eventually went to death. In chapter 6, the author analyzes Moses from the white perspective. Moses looked tall and fearless in the eyes of the white man. But Moses's inner world was invisible to whites, who never looked at his features except his eyes. This explains the insuperable gulf between man and the aborigines. The conclusion summarizes the narrative stylistics, summarizes the arguments of the thesis, and points out that narrative stylistics can not only have a deeper understanding of the subject, but also dig into Lessing's writing art.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074

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