论《金色眼睛的映像》中的三重隐喻——以“马”的意象为中心

发布时间：2018-07-11 13:54

本文选题：麦卡勒斯 + 《金色眼睛的映像》　；参考：《外国文学研究》2013年04期

【摘要】：本文抓住《金色眼睛的映像》中的一个关键意象——"马",探讨其隐含的思想意识及审美意义。发现"马"的意象和小说主要人物形成种种对应关系,并且透过三组人物形成了三重隐喻:一是人的原始蒙昧;二是性的放纵;三是同性恋欲望。"马"的意象不仅成为塑造人物形象的重要艺术手段,最为重要的是"马"的三重隐喻在"精神隔绝"主题的表达中,发挥了关键作用:第一重隐喻借由人物的象征性特征超越历史限制,表达了"精神隔绝"是现代人的基本生存境遇这一现实;第二重隐喻揭示出人与人交流的单极性,突显了破除"精神隔绝"之途的困难重重;第三重隐喻借同性恋者合理的情欲追求,因身份限制无以实现的事实,为"精神隔绝"涂上一层更加绝望的色彩。三重隐喻联系起来,暗示人类发展的三个不同阶段,构成了人类"精神隔绝"状态的完整象征。
[Abstract]:In this paper, a key image of the Golden Eye, Horse, is grasped, and its implied ideology and aesthetic significance are discussed. It is found that the images of Horse form various corresponding relations with the main characters of the novel, and through three groups of characters, they form triple metaphors: first, the primitive ignorance of human beings; second, the sexual indulgence; and third, the desire for homosexuality. " The image of the horse is not only an important artistic means of shaping the character image, but also the triple metaphor of the horse in the expression of the theme of "spiritual isolation". It plays a key role: the first metaphor transcends the historical limit by the symbolic characteristics of the characters, and expresses the fact that "spiritual isolation" is the basic living condition of modern people, while the second metaphor reveals the unipolarity of human communication. It highlights the difficulties of breaking the way of "spiritual isolation"; the third metaphorical metaphor uses the rational desire of homosexuals to pursue, because of the fact that identity restrictions can not be realized, smears a more desperate color for "spiritual isolation". The triple metaphor, which implies three different stages of human development, constitutes a complete symbol of the state of human "spiritual isolation".
【作者单位】：山东理工大学文学与新闻传播学院;
【分类号】：I712.074

【共引文献】