原始主义倾向：劳伦斯小说中的自然描写与动物化人物形象

发布时间：2018-07-12 18:11

本文选题：戴·赫·劳伦斯 + 原始主义倾向　；参考：《华中师范大学》2014年硕士论文

【摘要】：英国作家D.H.劳伦斯(1885-1930)是20世纪最重要的小说家之一,他一生创作了12部长篇小说、7部中篇小说、47篇短篇小说、12本诗集还有一些戏剧和散文,是一位多产作家。劳伦斯生活在英国工业化发展后期,其大部分文学作品都反映出工业革命对人类的戕害。劳伦斯在作品中高度关注男女关系和人与自然关系的和谐,深入探讨了人性、本能、无意识的人类自我及血性意识等问题,表现出推崇原始主义的倾向。劳伦斯热切怀念未被人类开化的自然,强烈反对工业革命。尽力唤醒被工业文明压抑的人类与生俱来的能力及血液中流淌的本真自我。对劳伦斯来说,似乎只有如此人类才能复兴，且活得更有活力,而不是被工业文明剥夺生命力。本论文以劳伦斯的六部小说《白孔雀》、《恋爱中的女人》、《狐》、《瓢虫》和《贩马人的女儿》为研究对象,重点分析这六部小说中对动物化人物的塑造和对自然的描写,并以此揭示出劳伦斯的原始主义倾向。本论文共五章。第一章简要介绍了劳伦斯的生平及文学创作,综述了劳伦斯研究的国内外现状,说明了本论文的主要内容。第二章主要分析劳伦斯六部小说中的动物化人物塑造。本章从外貌、个性和内心欲望三个方面说明了六部小说中人物与动物的相似之处,揭示出劳伦斯小说在人物塑造中的动物化特点。第三章讨论劳伦斯六部小说中关于自然的描写,重点分析作品展示出的两种自然：宁静的田园式自然和令人恐惧的野性自然。小说中蕴含着对两种自然的仰慕。第四章在前两章的研究基础之上指出劳伦斯小说中的动物化人物塑造和对自然的描写反映出作者的原始主义倾向。这种倾向具体体现在三个方面：对自然的仰慕、对原始生命力的追求、以及对无意识的原始自我的探寻。第五章是论文的结论,本章总结了前文的论述,重申了本论文的观点,并指出劳伦斯作品中频繁使用动物化人物形象旨在体现人类与动物的相似性,揭示人类的原始生命活力。劳伦斯认为只有唤醒人类的直觉和原始自我,认可人与自然的原始情结,人类才能在虚假的工业文明中实现自我救赎。
[Abstract]:British writer D. H. Lawrence (1885-1930) is one of the most important novelists in the 20th century. In his life, he has created 12 novels, 7 short stories, 47 short stories and 12 anthologies, as well as some plays and prose, and he is a prolific writer. Lawrence lived in the late industrial development of England, and most of his literary works reflected the damage caused by the Industrial Revolution to mankind. Lawrence pays great attention to the relationship between men and women and the harmony between man and nature in his works, deeply discusses the problems of human nature, instinct, unconscious human self and blood consciousness, and shows the tendency of advocating primitivism. Lawrence eagerly missed the uncivilized nature of mankind and strongly opposed the Industrial Revolution. Try to awaken the innate abilities of human beings repressed by industrial civilization and the true self flowing in the blood. To Lawrence, it'seems that only in this way can man be revived and more alive, not deprived of life by industrial civilization. In this paper, six novels of Lawrence, White Peacock, woman in Love, Fox, ladybug and daughter of Horse Man are taken as the research objects, and the depiction of animalized characters and nature in these six novels is analyzed. In this way, Lawrence's primitive tendency is revealed. There are five chapters in this paper. The first chapter briefly introduces Lawrence's life and literary creation, summarizes the present situation of Lawrence's research at home and abroad, and explains the main contents of this thesis. The second chapter mainly analyzes the animal characters in Lawrence's six novels. This chapter illustrates the similarities between characters and animals in six novels from the aspects of appearance, personality and inner desire, and reveals the animalization characteristics of Lawrence's novels in the characterization of characters. The third chapter discusses the description of nature in Lawrence's six novels, focusing on the analysis of two kinds of nature: quiet idyllic nature and frightening wild nature. The novel contains admiration for two kinds of nature. The fourth chapter points out that the portrayal of animalistic characters and the description of nature in Lawrence's novels reflect the author's primordial tendency on the basis of the previous two chapters. This tendency is embodied in three aspects: admiration for nature, pursuit of primitive vitality, and exploration of the unconscious primitive self. The fifth chapter is the conclusion of the paper, this chapter summarizes the previous discussion, restates the viewpoint of this paper, and points out that the frequent use of animalistic characters in Lawrence's works aims to reflect the similarity between human beings and animals, and to reveal the primitive vitality of human beings. Lawrence believes that only by arousing human intuition and primitive self, recognizing the primitive complex between man and nature, can man realize self-redemption in the false industrial civilization.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I561.074

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