壶井荣文学中的家族形象
发布时间：2018-07-13 08:41
【摘要】：壶井荣于1899年8月5日出生在香川县坂手村41号屋,是岩井藤吉和ァ(?)(笔者注：此处无对应汉字译法)的第五个女儿。是哥哥弥三郎给荣取名的。父亲藤吉是制作酱油桶的工匠,手艺高超,全盛期拥有三家酱油店的客户,还带着好几个其他手艺人,脾气好,性格开朗。母亲ァ(?)母性的感情极为丰富,生养了十个孩子(荣有一个哥哥,四个姐姐,一个弟弟,三个妹妹),还收养了一对无父无母的姐弟。荣的和蔼可亲的奶奶经常给孩子们讲过去的故事和传说,还给他们唱歌。算上在家里劳动的其他工匠,家里经常住着二十多人,在物质上虽然不十分富裕,可是精神上荣及家人却过得非常开心。家里每天萦绕着民谣儿歌的欢乐音符,一家人其乐融融,共享天伦之乐。在这样的大家族成长的荣,感受到那种对毫无血缘关系的人也倾注真心关爱的人情味,并且深受影响。 如上所述,我对深受大家族制度影响的壶井荣作品中的家族形象产生了浓厚的兴趣,试图通过硕士论文的写作,探明壶井荣文学作品中的家族形象及其作品形成的社会背景和要因。 本文基本按照五个章节进行探讨。序章主要介绍作家壶井荣相关的先行研究,研究方法和本论文的创新之处。第一章主要介绍壶井荣的亲生父母家的情况和结婚后的家庭情况,并由此把握她的亲子关系,家庭关系。并且将会简单介绍壶井荣的年谱。第二章主要分析壶井荣的处女作《萝卜缨》,体会作品中表现出的亲子之间深深的羁绊,对无私之爱的赞美,由此感受到壶井荣内心深处的母性情怀。第三章在基于日本传统家族制度的基础上,主要分析大家族变迁史的作品《历史》,以及以其婚后生活为原型创作的《杂居生活》,在体味作品中洋溢的家族之爱的同时,分析作品中的家族形象。并且试图辨明作品与作家实际体验的差异。第四章通过精读以壶井妹妹妹的婚姻破裂为契机创作的作品《妻之座》,《拍岸之波》,将其与早期类似题材的作品《普罗文士之妻的日记》进行对比,来剖析作品中隐含的壶井荣的创作意图,对夫妻关系的反思。同时也会涉及对荣和德永直之间关于小说《妻之座》和《青草的热气》问题论争的介绍。第五章在前章探讨内容的基础上,从壶井荣小说的创作方法,故事发生的场所,主题,作为普罗文学的特别存在的四个方面,来总结壶井荣作品的特征。
[Abstract]:Kuroi Rong was born on August 5, 1899 in House 41, Sakhand Village, Xiangchuan County. (note to the author: there is no corresponding translation of Chinese characters here) the fifth daughter. Gothamicaro named Rong. My father Fujii is a craftsman who makes soy sauce barrels. He has excellent craftsmanship. He owns three soy sauce shops in the heyday. He also has several other craftsmen, good temper and cheerful personality. Mother's (?) She had ten children (Rong had one brother, four sisters, one younger brother, three sisters) and adopted a pair of siblings without father or mother. Rong's granny often tells her children stories and legends of the past and sings to them. Among the other artisans who work at home, more than 20 people often live in the family. Although not very rich in material terms, they are very happy in spirit and in their families. The happy notes of folk songs haunt the family every day. The glory of growing up in such a large family, feel the kind of people who have no blood relationship with the true love of humanity, and deeply affected. As mentioned above, I was very interested in the family image in the great family system and tried to write my master's thesis. To find out the family image in the literary works and the social background and reasons of its formation. This article basically carries on the discussion according to five chapters. The preface mainly introduces the first research, the research methods and the innovation of this paper. The first chapter mainly introduces the situation of Kudai Rong's biological parents' family and the family situation after marriage, and then grasps her parent-child relationship and family relationship. And will briefly introduce the Chronicle of Kokujing Rong. The second chapter mainly analyzes Ku Jing-rong 's first work "turnip tassel", experience the deep fetters between parents and children in the works, praise the selfless love, and thus feel the maternal feelings in the heart of Ku Jing-rong. The third chapter, based on the traditional Japanese family system, mainly analyzes the works "History" of the history of the changes of the large families, and the "mixed Life", which is based on the prototype of his married life, while appreciating the love of the family in his works. Analyze the family images in the works. It also tries to distinguish the difference between the works and the writer's actual experience. The fourth chapter contrasts it with the earlier works "the Diary of Provency's wife" by carefully reading the works "the seat of the wife" and "the Wave of the Shore", which are created at the turning point of the broken marriage of Kutsui Mei, and compare it with the earlier works of "the Diary of Provency's wife". To analyze the implied creative intention of Kudai Rong, to reflect on the relationship between husband and wife. It will also involve an introduction to the controversy between Rong and Deyong about the novel "the seat of the wife" and "the Heat of the Grass". On the basis of the previous chapter, the fifth chapter summarizes the characteristics of Ku Jing-rong 's novels from four aspects: the creation method, the place where the story takes place, and the theme, which is the special existence of the general literature.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I313.074
本文编号：2118803
[Abstract]:Kuroi Rong was born on August 5, 1899 in House 41, Sakhand Village, Xiangchuan County. (note to the author: there is no corresponding translation of Chinese characters here) the fifth daughter. Gothamicaro named Rong. My father Fujii is a craftsman who makes soy sauce barrels. He has excellent craftsmanship. He owns three soy sauce shops in the heyday. He also has several other craftsmen, good temper and cheerful personality. Mother's (?) She had ten children (Rong had one brother, four sisters, one younger brother, three sisters) and adopted a pair of siblings without father or mother. Rong's granny often tells her children stories and legends of the past and sings to them. Among the other artisans who work at home, more than 20 people often live in the family. Although not very rich in material terms, they are very happy in spirit and in their families. The happy notes of folk songs haunt the family every day. The glory of growing up in such a large family, feel the kind of people who have no blood relationship with the true love of humanity, and deeply affected. As mentioned above, I was very interested in the family image in the great family system and tried to write my master's thesis. To find out the family image in the literary works and the social background and reasons of its formation. This article basically carries on the discussion according to five chapters. The preface mainly introduces the first research, the research methods and the innovation of this paper. The first chapter mainly introduces the situation of Kudai Rong's biological parents' family and the family situation after marriage, and then grasps her parent-child relationship and family relationship. And will briefly introduce the Chronicle of Kokujing Rong. The second chapter mainly analyzes Ku Jing-rong 's first work "turnip tassel", experience the deep fetters between parents and children in the works, praise the selfless love, and thus feel the maternal feelings in the heart of Ku Jing-rong. The third chapter, based on the traditional Japanese family system, mainly analyzes the works "History" of the history of the changes of the large families, and the "mixed Life", which is based on the prototype of his married life, while appreciating the love of the family in his works. Analyze the family images in the works. It also tries to distinguish the difference between the works and the writer's actual experience. The fourth chapter contrasts it with the earlier works "the Diary of Provency's wife" by carefully reading the works "the seat of the wife" and "the Wave of the Shore", which are created at the turning point of the broken marriage of Kutsui Mei, and compare it with the earlier works of "the Diary of Provency's wife". To analyze the implied creative intention of Kudai Rong, to reflect on the relationship between husband and wife. It will also involve an introduction to the controversy between Rong and Deyong about the novel "the seat of the wife" and "the Heat of the Grass". On the basis of the previous chapter, the fifth chapter summarizes the characteristics of Ku Jing-rong 's novels from four aspects: the creation method, the place where the story takes place, and the theme, which is the special existence of the general literature.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I313.074
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