中国文艺学理论转向下的莎士比亚话剧演出

发布时间：2018-01-02 05:10

本文关键词：中国文艺学理论转向下的莎士比亚话剧演出　出处：《戏剧艺术》2016年05期 　论文类型：期刊论文

【摘要】：中国文艺学自20世纪初形成之后经历了三次理论大转换。理论的转变必影响其指导下的实践,莎士比亚在中国话剧舞台上亦呈现出不同的形态。救亡图存的社会现实面前,古典文艺学转向现代形态文艺学,文艺审美性从属于社会性,莎士比亚被借用为宣传革命、激励国民的文化工具。中国化马克思主义文艺理论转向下,为铸就文化壁垒,防止西方意识侵袭,整个莎剧舞台出现了政治统一指令下斯氏体系独霸的局面,文艺本体的独立性丧失。现代、后现代文艺学转向下的莎剧演出呈现出开放性、审美性和多样性特点,同时存在着"求新求奇"的过分追求,使得莎剧演出流于形式,或成为个人情感宣泄的工具,极不利于莎氏经典的传承。以史为鉴,继往开来,促进精神文明建设是宗旨。
[Abstract]:Chinese literature since the early twentieth Century formation experienced three times of theory. The theory of change will affect the transformation of the practice under the guidance of Shakespeare in the China drama stage also appear in different forms. The salvation of the social reality. The classical literature to the modern forms of literature and art, the aesthetic appreciation of literature and art from the Shakespeare belongs to the social. Has been used as the National Cultural Revolution propaganda, incentive tools. China Marx literary theory to, to create cultural barriers, to prevent the invasion of the western consciousness, Shakespeare stage appeared to dominate the STEVENSI system under the instruction of the unified political situation, the loss of independence of literary ontology. Modern, postmodern literary studies to the Shakespeare performance showing openness, diversity and aesthetic characteristics, and the existence of "excessive pursuit of novelty and strange", the Desha play form, or become one. It is not conducive to the inheritance of Shakespeare's Classics. It is a purpose to promote the construction of spiritual civilization by taking history as a mirror.

【作者单位】：郑州轻工业学院外国语学院;
【基金】：国家社会科学基金项目“莎士比亚在中国话剧舞台上的接受与流变研究”(项目编号:14BWW048) 教育部留学回国人员科研启动基金资助项目“中国舞台上莎剧编演的嬗变轨迹”的研究成果
【分类号】：J834
【正文快照】： 何谓文艺学?商务印书馆出版的《现代汉语词典》对文艺学的解释如下:以文学和文学的发展规律为研究对象的科学,包括文艺理论、文学史和文艺批评。据此推理,文艺学该是研究文学的学科,是文学学。但自20世纪初“文艺”一词在我国学界出现,一直用来指涉文学、艺术或文学和艺术,即

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