重释“大团圆”与“一桌二椅”:中国戏曲美学再认识

发布时间：2018-01-03 06:20

本文关键词：重释“大团圆”与“一桌二椅”:中国戏曲美学再认识　出处：《浙江艺术职业学院学报》2016年01期 　论文类型：期刊论文

【摘要】：由于历史的原因,戏曲很多体现中华美学精髓的内容与形式被误读、甚至于抛弃,这不得不说是一件令人十分痛心的事。对于当前戏曲的发展来说,搞清楚什么是戏曲的美学精神,在戏曲中哪些能充分体现中华美学精神的内容与形式,这些内容与形式又是在怎样的哲学观照与美学精神指导下形成的,这不仅对于当前戏曲的传承具有现实指导意义,对戏曲今后的发展与传承、弘扬中华美学精神更是具有不可估量之功。
[Abstract]:Due to historical reasons, many of the contents and forms of Chinese aesthetic essence have been misread, even abandoned, which has to be said to be a very painful thing, for the development of the current opera. To find out what is the aesthetic spirit of opera, which can fully reflect the contents and forms of Chinese aesthetic spirit in the opera, these contents and forms are formed under the guidance of philosophy and aesthetic spirit. This is not only of practical significance for the inheritance of the current opera, but also of immeasurable contribution to the development and inheritance of the opera in the future and the promotion of the Chinese aesthetic spirit.
【作者单位】：浙江省文艺评论家协会;
【分类号】：J801
【正文快照】： 中华美学精神作为一种精神实体,凝结了远古中华文明的精髓,蕴藏着中华民族基本的文化和审美基因并引领着中华民族的集体审美意识,是一个在时间维度上不断演变和在空间维度上持续交融的历史性结果。“结合新时代条件传承和弘扬中华优秀传统文化,传承和弘扬中华美学精神”,既是

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