固本与开新:新时期黄梅戏的生存策略

发布时间：2018-01-05 14:06

本文关键词：固本与开新:新时期黄梅戏的生存策略　出处：《戏曲艺术》2015年04期 　论文类型：期刊论文

【摘要】：固本与开新是黄梅戏走向成熟、步入辉煌的重要原因,也是黄梅戏的优良传统,新时期黄梅戏继承了这一优良传统。在如何处理固本与开新的关系上,致力于现代化探索的新时期黄梅戏提供了可资借鉴的经验:固本是开新的前提,拒绝固本的"开新",必然走偏,最终导致黄梅戏变质;固本与开新互涉互渗,"旧的"可以在"新的"之中延续,"新的"可以通过提升当下性来保持"旧的","新"与"旧"互涉互渗的矛盾统一体才是富有生命力的;固本与开新不可偏废,拒绝开新的"固本",只能是墨守成规,必然导致黄梅戏脱离时代,脱离群众,日渐枯萎,最终被历史淘汰。
[Abstract]:This is a new solid and Huangmei mature, into the glorious tradition of the important reasons, but also the new era of Huangmei Opera, Huangmei inherited this tradition. On how to deal with consolidation and new relationships, committed to the modernization of the new period Huangmei provides reference experience: the open the new premises, the firm refused to "new" will inevitably go astray, resulting in Huangmei metamorphism; consolidation and new mutual infiltration, the "old" can continue in the "new", "new" can enhance the current to maintain the "old" and "new" with the "old" mutual contradiction and mutual infiltration is full of vitality; consolidation and innovation can not be neglected, refused to open a new "solid", only is rigid, will inevitably lead to Huangmei from the era, from the masses, gradually wither away, eventually eliminated by history.

【作者单位】：黄冈师范学院音乐学院;湖北省人文社科重点研究基地"黄梅戏艺术研究中心";武汉大学艺术学系;
【分类号】：J825
【正文快照】： 固本与开新是20世纪50年代黄梅戏“梅开一度”——亦即严凤英、王少舫时代所开创的优良传统,也是新时期黄梅戏的生存策略。20世纪80年代以来,黄梅戏迎来“梅开二度”的新辉煌,马兰、黄新德、韩再芬等是这一时期的杰出代表,他们又在固本与开新上有新的建树。固本主要着眼于传统

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