探析越剧尺调中板和京剧二黄原板之关系

发布时间：2018-01-06 06:24

本文关键词：探析越剧尺调中板和京剧二黄原板之关系　出处：《中国戏剧》2014年08期 　论文类型：期刊论文

【摘要】：正百年越剧发展史是一部海纳百川、探索创新的发展史,越剧在形成期,其声腔音乐吸收了绍剧、京剧等多种剧种和民间小调的精华。越剧流派声腔是彰显剧种特色并得以生存发展的重要标志,而各种基础调式调性是支撑唱腔、板式的前提和依据,越剧早期的唱调有[呤吓调]、[南调]等,后逐渐发展、形成了[四工调]、[尺调]、[弦下调]等主要调式。这当中的四工调学演京剧西皮,尺调学演二黄,弦下调演学反二黄,其中[尺调]是越剧各种声腔、流派唱段中运用最广泛、
[Abstract]:One hundred years of the history of the development of Yueju Opera is a history of exploration and innovation in the history of development, Vietnamese Opera in the formation period, its vocal music absorbed Shaoxing Opera. Beijing Opera and other kinds of plays and the essence of folk minor. Yueju genre voice is an important symbol to highlight the characteristics of drama and to survive and develop, and various basic tone is the premise and basis of supporting singing, board style. The early songs of Yue Opera. [, [To the south, etc., after the gradual development, formed. [Quad tone], [Ruler], [Among them, the four tune plays the Peking opera Xipi, the ruler tone plays the second yellow, the chord down plays the opposite two yellow, among which, the four-way tune plays the Peking opera Xipi, the ruler tone plays the second yellow, the chord is lowered to play the opposite two yellow. [It is the most widely used of all kinds of vocals in Yue Opera.
【作者单位】：浙江艺术职业学院;
【分类号】：J617
【正文快照】： 百年越剧发展史是一部海纳百川、探索创新的发展用sc^re定弦伴托。尹桂芳的〔四工调〕唱腔,乐师裘香史,越剧在形成期,其声腔音乐吸收了绍剧、京剧等多种铨也曾用soke定弦伴托。纵然改l^ni为sohre定弦伴剧种和民间小调的精华。越剧流派声腔是彰显剧种特奏,也不等于开创了〔尺调

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