传统藏戏的时空结构

发布时间：2018-01-09 04:20

本文关键词：传统藏戏的时空结构　出处：《贵州民族研究》2016年08期 　论文类型：期刊论文

【摘要】：佛教观念极大地拓展了藏民族的时空观念,使藏戏形成了独特的时空结构。传统藏戏时空独特性主要体现在时空逻辑、时空构架、时空结构等方面。佛教思想影响下形成的强调体验的主观时间观念,三界之间"互相贯通"的空间观念,形成了传统藏戏的时空逻辑,也是传统藏戏时空观的哲学基础。虚拟的时空背景、神秘意象所营造的神秘奇幻的时空氛围,使传统藏戏形成了一种虚拟而灵动的时空构架。突破了现实的时空构架,使其获得了类似魔幻小说般的叙述自由。传统藏戏对时空结构的安排,常用的手法主要有两种:一种是以线性时间为主,穿插着主观色彩极强的变异时间。另一种是现实时空与虚幻时空交置共存。传统藏戏突破了现实感观的认知局限,创造出一种神奇变幻的艺术世界,在增强作品叙述容量的同时也大大地拓展了作品的心理时空和审美空间。
[Abstract]:The Buddhist concept has greatly expanded the Tibetan nation's space-time concept and made the Tibetan opera form a unique space-time structure. The traditional Tibetan opera space-time uniqueness is mainly reflected in the space-time logic and space-time framework. Under the influence of Buddhist thought, the subjective concept of time, which emphasizes experience, and the concept of "interconnecting" between the three realms form the space-time logic of traditional Tibetan opera. It is also the philosophical basis of the traditional Tibetan opera space-time view, the virtual space-time background, the mysterious fantasy space-time atmosphere created by the mysterious image. Make the traditional Tibetan opera form a virtual and intelligent space-time framework, break through the reality of the space-time framework, so that it obtained similar to the magic novel narrative freedom. Traditional Tibetan opera on the space-time structure of the arrangement. There are two common methods: one is linear time. Interspersed with the extremely strong subjective color of the variation time. The other is the real space-time and fantasy space-time intersecting coexistence. Traditional Tibetan opera has broken through the cognitive limitations of the sense of reality and created a magical changing art world. At the same time, it greatly expands the psychological space and aesthetic space.
【作者单位】：成都大学文学与新闻传播学院;
【分类号】：J825
【正文快照】： 一藏民族传统的时空观具有科学的色彩,但也有着明显的宗教性特征。他们认为,“每个事物都是时间齿轮上的因果链条,世界万物相互之间都形成了因果关系网,事物的存在就是因果关系的存在。因果有时间的先后,因在先,果在后,有因之时无果,有果之时因已成过去的不存在了”。[1]将时

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