时间态:地方戏曲的一种现代样态——以湖南花鼓戏“半台班”为例

发布时间：2018-01-09 12:32

本文关键词：时间态:地方戏曲的一种现代样态——以湖南花鼓戏“半台班”为例　出处：《城市学刊》2016年06期 　论文类型：期刊论文

【摘要】："半台班"是花鼓戏发展历史阶段的一种特殊艺术形式。"半台班"的产生和发展见证了花鼓戏游离在乡村和城市之间的历史处境,其主动或被动的艺术革新之中,花鼓戏实现了与地方大戏的有机融合、表演形式的创新及戏剧结构的完善,使其孕育了城市化的因素。其后,在"半台班"的熏染下,花鼓戏开启了其城市化之路。通过革新与交流,打破了艺术本体的城乡壁垒;通过融汇与规范,满足了受众的多层次期待;其广博与采纳的艺术包容性,亦使其在乡村生活的基础上,走入城市市民和文人情怀之中。
[Abstract]:"half Taiwan" is a special art form in the historical stage of the development of Huagu Opera. The emergence and development of the "half Taiwan Class" witnessed the historical situation of Huagu Opera between the countryside and the city. In the active or passive artistic innovation, the Hua-Drum Opera realized the organic fusion with the local drama, the innovation of the performance form and the perfection of the drama structure, which gave birth to the factors of urbanization. Under the influence of "half Taiwan Class", Huagu Opera opened the way of urbanization. Through innovation and communication, it broke the barriers between urban and rural areas of art ontology. Through fusion and standardization, meet the multi-level expectations of the audience; Its broad and adopted art inclusiveness also makes it enter the city citizen and literati feelings on the basis of country life.
【作者单位】：湖南城市学院音乐学院;
【基金】：国家社会科学基金项目(15BB015) 湖南城市学院创新团队项目(湘城院发[2014]12号)
【分类号】：J825
【正文快照】： 在花鼓戏的现代化进程中,“半台班”的出现和发展功不可没。湖南各地花鼓戏的发展,均经历过与流经地区古典剧种的艺术交流,产生了一种花鼓戏历史发展中的特殊形式,即“半戏”(地方大戏)、“半灯”(花鼓、花灯、采灯)的半台班组成或形式。各地对此称呼不一:或“半灯半戏”、“

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