晚清民国北京八旗戏曲活动研究述评
发布时间：2018-01-19 09:36
本文关键词： 晚清民国 北京八旗戏曲活动 研究成果 出处：《满族研究》2016年01期 论文类型：期刊论文
【摘要】：清代宫廷戏剧在中国戏曲史研究中具有无可比拟的重要地位,也是"故宫学"的重要领域,八旗戏曲活动讨论是宫廷戏剧研究的自然延展。因而,对晚清民国八旗戏曲活动的整体考察具有重要学术意义,对戏曲类非物质文化遗产的保护将提供智力支持。学术界近年来对包括顾太清、子弟书、车王府、八旗子弟观演剧等在内的北京八旗戏曲活动研究取得了丰硕成果,但是也存在热点集中、盲点较多等客观问题,在论述层次与学术视野上还有待开阔。
[Abstract]:Court drama in the Qing Dynasty plays an unparalleled important role in the study of Chinese opera history and is also an important field of The Imperial Palace. The discussion of the eight banners opera activities is a natural extension of the study of court drama. It is of great academic significance to investigate the opera activities of the eight banners of the late Qing Dynasty and Republic of China. It will provide intellectual support for the protection of the intangible cultural heritage of the opera. In recent years, academic circles have provided intellectual support to the activities including Gu Taiqing, children's books, and Cha Wangfu. The research on the activities of Beijing eight Banner operas, including the view of the children of the eight banners, has achieved fruitful results, but there are also some objective problems, such as hot spots and more blind spots, which need to be broadened in the level of discussion and the academic field of vision.
【作者单位】： 南京师范大学文学院;
【基金】：国家社科基金重大招标项目“《全清戏曲》整理编纂及文献研究”(项目编号:11&ZD107) 教育部人文社会科学规划基金项目“清代善本戏曲叙录与研究”(项目编号:13YJA760044) 江苏省普通高校学术学位研究生科研创新计划“明清王府戏曲活动编年要录”(项目编号:KYLX15—0680)
【分类号】：K25;J809.2
【正文快照】： 宫廷自古以来戏剧活动繁盛,清宫戏曲直接引领了北京八旗戏曲活动。早在宋前的“泛戏剧形态”,《都城纪胜》“散乐传学教坊十三部色”[1]和《东京梦华录》“驾登宝津楼诸军呈百戏”[2]条等,记载的即为唐宋宫廷演剧活动,而朱权、朱有q梢约把嗤踔扉Φ哪涣偶种倜屯踝右坏热舜，
本文编号：1443573
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