歌剧《托斯卡》中卡瓦拉多西角色的演唱研究

发布时间：2018-01-22 04:21

本文关键词： 普契尼托斯卡演唱卡瓦拉多西　出处：《华东师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：意大利歌剧作曲家贾科莫·普契尼,(Giacomo Puccini,1858-1924),是十九世纪末至欧战前真实主义歌剧流派的代表人物。他追求题材真实,感情丰富,表现出独到的艺术效果。普契尼在歌剧创作中不仅吸收各国民歌的优秀元素,还大胆创新,不断采取新手法,创造了意大利歌剧的咏叹风格,留下了许多长盛不衰的佳作,对后来的歌剧发展产生了深刻而广泛的影响。《托斯卡》剧本是由贾科萨根据萨尔杜的剧本改编,是普契尼的四部经典歌剧代表作之一。萨尔杜笔下的卡瓦拉多西是历史上的一个真实的人物。卡瓦拉多西的祖先是罗马的贵族阶层,他的父亲是当时的进步知识分子,卡瓦拉多西的父亲在巴黎生活了很长时间,在当地安家立业,卡瓦拉多西就是在巴黎出生的,卡瓦拉多西曾经跟随达维德学习画画,最后他的父亲去世,他回到罗马,并且结识了著名女歌手托斯卡,与他结婚,从此生活在一起。卡瓦拉多西经过法国大革命的洗礼,继承和发扬了自由主义的精神,他支持法国,同情革命分子。拿破仑溃败之后,罗马政府大肆捕杀革命分子,卡瓦拉多西躲入教堂,故事由此展开。在这部歌剧中,普契尼注重人物性格的刻画,强调声乐的重要作用,讲究戏剧性和感染性。在运用传统手法的基础上推陈出新,将歌剧的思想内核表现地淋漓尽致。笔者所要关注的卡瓦拉多西角色的演唱营造了全新的视听感觉,不断引起人们的关注,这个角色上,不同价值取向和不同信念的人都可以找到共同的精神家园。或许这正是卡瓦拉多西角色自诞生以来影响深远的真正原因所在。《托斯卡》以其独特的音乐价值,赢得了世界各国歌剧爱好者的亲睐,卡瓦拉多西的角色演唱是歌剧艺术研究中的热点,既有理论价值,又有现实意义。论文主要包括引言部分和主体部分。引言部分主要探讨本文的研究设计包括选题目的、选题意义、国内外研究现状三个部分。从宏观上把握全文的写作思路和精神立意。主体部分包括如下几个方面：一是普契尼《托斯卡》的创作背景、剧情介绍、对细节和思想内涵的处理；二是角色表演与传统歌剧的比较；三是《托斯卡》卡瓦拉多西的演唱分析；四是卡瓦拉多西角色演唱风格的研究,在综合分析《托斯卡》全剧的基础上,分析角色演唱的特点。
[Abstract]:Italian opera composer Giacomo Puccini (1858-1924). He is the representative figure of the realism opera school from the end of 19th century to the European War. He pursues the subject matter to be true, the feeling is rich. Puccini not only absorbed the excellent elements of the folk songs of various countries in the opera creation but also boldly innovated and adopted new techniques to create the Italian opera singing style. Left behind a lot of enduring masterpieces, later on the development of opera had a profound and extensive impact. The Tosca script was adapted by Giacosa from Saldou's script. Carvaladosi is one of Puccini's masterpieces of four classic operas. Carvaladosi in Saldu is a real figure in history. The ancestors of Cavalladosi are the aristocrats of Rome. His father was a progressive intellectual at the time, and Cavaradosi's father had lived in Paris for a long time and established his own business in Paris, where Cavaradosi was born. Cavalladosi studied painting with Davyd, but his father died and he returned to Rome, where he met and married Tosca, the famous female singer. After the baptism of the French Revolution, Cavalladosi inherited and carried forward the spirit of liberalism. He supported France and sympathized with the defeat of the revolutionary Napoleon. In this opera, Puccini emphasizes the portrayal of characters and the important role of vocal music. Pay attention to drama and infective. In the use of traditional techniques on the basis of innovation, the ideological core of the opera to show incisively and vividly. I want to pay attention to the role of Cavalladosi to create a new audio-visual feeling. It keeps getting people's attention, in this role. People of different values and beliefs can find a common spiritual home. Perhaps this is the real reason for the far-reaching impact of the character Cavalladosi since its birth. (Tosca) with its unique musical value. Cavalladosi's role singing is a hot spot in the study of opera art, which has both theoretical value and practical significance. This paper mainly includes the introduction part and the main part. The introduction part mainly discusses the research design of this paper including the purpose of the topic and the significance of the topic. The main part includes the following aspects: first, the background of Puccini's "Tosca" and the introduction of the plot. The handling of details and ideological connotations; Second, the comparison between the role performance and the traditional opera; The third is the singing analysis of Kavaradosi in Tosca; The fourth part is the study of the singing style of Cavalladosi, and on the basis of the comprehensive analysis of Tosca, the characteristics of the character singing are analyzed.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832

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