歌剧人物薇奥莱塔与巧巧桑形象塑造比较研究

发布时间：2018-01-25 16:09

本文关键词： 微奥莱塔与巧巧桑歌剧人物形象塑造比较　出处：《河北师范大学》2009年硕士论文　论文类型：学位论文

【摘要】： 歌剧创作中最基本的问题是人物形象塑造,这也是一部歌剧作品能否成功的关键。在威尔第和普契尼创作的歌剧中,女性人物形象塑造非常具有代表性。本文选取威尔第歌剧《茶花女》中的薇奥莱塔和普契尼歌剧《蝴蝶夫人》中的巧巧桑这两个人物形象,系统研究了这两部歌剧创作背景的异同,从戏剧形象和音乐形象这两个方面对薇奥莱塔和巧巧桑人物形象塑造进行全面的分析比较,对比较得出的启示加以归纳总结,以期为歌剧演员塑造这两个人物提供一定的借鉴和参考。论文除引言外,共分四个部分: 第一章:从歌剧诞生的时代背景,作曲家的歌剧创作风格以及歌剧的取材与创作过程三个方面分析比较歌剧《茶花女》和《蝴蝶夫人》创作背景之异同,为下面几章的研究作必要的铺垫。第二章:从不同的性格特点,相同的悲剧命运和不同的矛盾冲突,相同的艺术手段两方面分析比较薇奥莱塔和巧巧桑的戏剧形象塑造之异同。第三章:以薇奥莱塔和巧巧桑的性格发展为主线,选取她们的咏叹调和二重唱进行分析比较,展现威尔第和普契尼塑造这两个音乐形象之异同。第四章:通过分析比较得出三点启示。一是歌剧人物形象塑造应注重彰显人物角色的个性魅力;二是歌剧人物形象塑造应注重挖掘人物的审美特色;三是歌剧人物形象塑造应注重人物角色的二度创作。
[Abstract]:The most basic problem in opera creation is the portrayal of characters, which is also the key to the success of an opera. In the opera by Verdi and Puccini. This paper selects Violeta and Qiaoqiao Sang in Verdi opera Camellia and Puccini opera Lady Butterfly. This paper systematically studies the similarities and differences of the background of the two operas and analyzes and compares the characters of Violeta and Qiaoqiao Sang from the two aspects of drama image and music image. In order to provide certain reference and reference for opera actors to shape these two characters, the paper is divided into four parts except the introduction. The first chapter analyzes the similarities and differences between the creation background of opera "Camellia" and "Lady Butterfly" from three aspects: the background of the birth of opera, the composer's style of opera creation, and the selection and process of opera. For the following chapters of the study of the necessary foreshadowing. The second chapter analyzes the similarities and differences between Violeta and Qiaoqiao Sang's dramatic images from different characteristics, the same tragic fate and different conflicts, the same artistic means. Chapter three: with the character development of Violeta and Qiaoqiao Sang as the main line, choose their arias and duets to analyze and compare, to show the similarities and differences between Verdi and Puccini in shaping these two musical images. Chapter 4th: through the analysis and comparison, three revelations are drawn: first, the portrayal of the characters in the opera should pay attention to the personality charm of the characters; Second, the creation of opera characters should pay attention to excavating the aesthetic characteristics of the characters; Thirdly, the second creation of characters should be emphasized in the creation of opera characters.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J832

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