狄德罗在中国的引介及其对中国戏剧美学思想的影响

发布时间：2018-01-25 18:03

本文关键词： 狄德罗中国引介戏剧美学影响　出处：《戏剧(中央戏剧学院学报)》2014年02期 　论文类型：期刊论文

【摘要】："狄德罗"的名字虽然先后出现于1878年的《法兰西志》和1882年的《万国通鉴》等书中,20世纪初的汉文文献中也留下了不少有关狄德罗生平和学说的介绍,但多关注其哲学、启蒙、无神论等思想,而对其美学、绘画、戏剧等理论则很少提及。20世纪60年代初,朱光潜在《人民日报》上介绍狄德罗《谈演员的矛盾》所引发的一场争论,是中国戏剧界首次聚焦狄德罗的戏剧美学思想,但由于当时特定的历史环境,狄德罗的戏剧思想并没有给中国戏剧理论界,尤其是戏剧演艺界带来多大的影响。自1984年纪念狄德罗逝世200周年以来的30年间,是中国学界关注狄德罗戏剧美学思想取得的成果最丰富的时期,尤其注重狄德罗与李渔、关汉卿、潘之恒、祁彪佳、王骥德、吕天成等中国古代戏曲理论家思想的比较研究。
[Abstract]:The name "Diderot" appeared in the books of France in 1878 and in the Common Mirror of all Nations in 1882. In 20th century, Chinese literature also left a lot of life and theory of Diderot introduction, but more attention to his philosophy, enlightenment, atheism and other ideas, and to its aesthetics, painting. Drama and other theories rarely mention the controversy caused by Diderot's "talking about the contradictions of actors" in Zhu Guang's potential "People's Daily" in the early 60s of the 20th century. It is the first time for the Chinese drama circles to focus on Diderot's drama aesthetics thought, but because of the specific historical environment at that time, Diderot's drama thought did not give to the Chinese drama theory circle. In particular, how much influence the theatrical entertainment industry has brought. Since 1984 commemorating the 200th anniversary of Diderot's death, it has been the most fruitful period for Chinese scholars to pay close attention to Diderot's dramatic aesthetics. Special attention is paid to the comparative study of the thoughts of Diderot, Li Yu, Guan Hanqing, Pan Zhiheng, Qi Pu, Wang Jide, Lu Tiancheng and other ancient Chinese opera theorists.
【作者单位】：武汉大学哲学学院;
【分类号】：J801
【正文快照】： 一学界一般认为,狄德罗最初被引介到中国是在1878年。这一年出版的日本高桥二郎译成中文的《法兰西志》第五卷“布罗本氏纪”(1590—1795)“学问日开”一节,提到一批法国“百科全书派”的代表人物和主要撰稿人,如《百科全书》副主编达朗伯儿(今汉译达朗贝尔,1717—1783)、孔得

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