社会文化变迁中的京派话剧审美要素转移

发布时间：2018-01-25 23:32

本文关键词： 京味儿京派话剧文化变迁审美转变　出处：《四川戏剧》2017年10期 　论文类型：期刊论文

【摘要】：京派话剧带有浓郁人文情怀,创作个性中既有厚重的沧桑感,又不乏笑对生活的幽默与智慧,更在言谈举止之间透着一股民族感强烈的血性。但情怀筑起的审美认同感在快速的时代发展中被消耗,"老京味儿"传统的社会观与生活观也随之悄然转变。当传统的人际交流方式发生了改变之后,创作与表演,乃至观众的审美情趣都不复往昔。京腔京韵的"老"不可避免地被"新"所遮盖,京派话剧也在自觉或不自觉之间潜移默化地发生着审美要素的转移。
[Abstract]:Beijing drama with rich humanistic feelings, creative personality has strong sense of the vicissitudes of life, and there is no lack of humor and wisdom smile for life, in between the speech and deportment shows a strong sense of national identity. But the aesthetic feelings of bloody build sense is consumed in the rapid development of the era, the traditional "old jingweier" society is also quietly changing and outlook on life. After changing the traditional way of interpersonal communication, creation and performance, and the aesthetic taste of the audience is no longer the past. Beijing accent of "old" will inevitably be "new" covered, Beijing drama also consciously or unconsciously between imperceptibly changing transfer of aesthetic elements.

【作者单位】：河南艺术职业学院;
【分类号】：J824
【正文快照】： 有关话剧的研究,一般是从表演或创作视角就事论事。无论是基于舞台视角出发的人物形象塑造与戏剧内容解析,或是围绕话剧文学展开的作品评述、戏剧思潮、创作观念,都是立足于话剧本体的考量。随着社会面貌的日新月异,文艺的发展不再是孤僻的闭门造车,对话剧的理论思考与评述显

【相似文献】