黄芝冈戏曲史论研究

发布时间：2018-02-11 15:59

本文关键词： 黄芝冈古代戏曲史地方戏戏曲理论　出处：《中国艺术研究院》2014年硕士论文　论文类型：学位论文

【摘要】：黄芝冈在20世纪戏曲史论领域做出了重要贡献。他一生学术活动,主要致力于戏曲史学和民俗学研究,著述丰富,发表专论文章上百篇。在戏曲领域,主要涉及戏曲起源、《琵琶记》评价、汤显祖研究、声腔剧种研究和戏曲改革等热点话题,在当时引起较大反响。然而,黄芝冈这一名字对于学术界而言还是比较陌生的,关于黄芝冈的研究成果较少,涉及戏曲方面的专著或文章更是少之又少,即便在有些文章中有所阐述,研究的也不够全面、深刻。目前,学界对于黄芝冈戏曲史论的研究更多的是对既有研究成果的浅显论述,缺乏对其研究方法和研究理念的深刻分析和整体把握。基于此,笔者以黄芝冈戏曲史、论研究为着眼点,选取古代戏曲史、地方戏、戏曲理论三个专题作为重点方向,对黄芝冈戏曲史论研究进行归纳和总结,管窥黄芝冈在20世纪中国戏曲史论研究领域中的地位。
[Abstract]:In 20th century, Huang Zhigang made an important contribution to the field of drama history theory. In his whole life, he mainly devoted himself to the study of drama history and folklore. It was mainly concerned with the origin of the opera, the appraisal of the Pipa, the study of Tang Xianzu, the study of vocal drama and the opera reform and other hot topics, which caused a great reaction at that time. However, the name Huang Zhigang was still relatively unfamiliar to the academic community. There are few researches on Huang Zhigang, and very few monographs or articles on opera. Even if they are elaborated in some articles, the research is not comprehensive and profound. At present, The research on the history of Huangzhigang opera in academic circles is more about the simple exposition of the existing research results, and the lack of profound analysis and overall grasp of its research methods and research ideas. Based on this, the author takes HuangZhigang opera history as the starting point, selects the ancient opera history, the local opera and the opera theory as the key direction, sums up and summarizes the Huangzhigang opera history theory research. A glimpse of Huang Zhigang's position in the field of Chinese opera history theory in 20th century.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J809.2

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