论阿吉拉姆戏剧艺术的象征手法与类型技法

发布时间：2018-02-27 03:27

本文关键词： 阿吉拉姆藏族戏剧汤东杰布象征手法类型技法　出处：《西藏大学学报(社会科学版)》2017年01期 　论文类型：期刊论文

【摘要】：阿吉拉姆戏剧是藏族传统戏剧最具代表性的剧种之一,也是藏族传统表演艺术最具代表性的体裁之一。阿吉拉姆戏剧的形成受到了苯教祭祀仪式、佛教恰姆乐舞、民间说唱艺术、民间歌舞艺术等多种古老的宗教艺术和民间艺术的影响,并历经孕育、成形、发展、完善的漫长过程。其中,早期发展相对较慢,后期发展相对较快,尤其到了15世纪,由于汤东杰布的整合、发展、推广,阿吉拉姆戏剧得到了长足发展。到了近代,阿吉拉姆戏剧已经形成了由"顿""雄""扎西",即开场、正戏、结尾三大部分组成的完整表演程式,达到了很高的艺术层次,是藏族传统表演艺术中最具水准的艺术形式之一。文章就阿吉拉姆戏剧艺术的象征手法与类型技法作了分析和论述。
[Abstract]:Ajelam drama is one of the most representative traditional Tibetan dramas and one of the most representative types of Tibetan traditional performing arts. The influence of folk rap art, folk singing and dancing art and other ancient religious and folk arts has gone through a long process of gestation, formation, development and perfection. Among them, the early development is relatively slow, and the later development is relatively fast. Especially in 15th century, due to the integration, development and promotion of Tang Dong-jeou, Ajelam's drama had made great progress. In modern times, Ajelam's drama had formed by "Don", "Xiong" and "Zahi", that is, the opening stage, the main drama. The complete performance program composed of three parts at the end has reached a very high level of art. It is one of the most advanced artistic forms in Tibetan traditional performing arts. This paper analyzes and discusses the symbolic and type techniques of Ajelam drama art.
【作者单位】：西藏大学艺术学院;
【基金】：2013年度国家社会科学基金艺术学项目“西藏传统音乐形态中的知识体系研究”阶段性成果,项目号:13ED142
【分类号】：J825

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