论余笑予的戏曲导演艺术

发布时间：2018-03-01 20:12

本文关键词： 古典戏曲现代审美需求契合点 “拆墙”　出处：《文化遗产》2014年06期 　论文类型：期刊论文

【摘要】：余笑予是新时期以来真正开拓现代戏曲导演艺术的功勋卓著者,也是最早明确提出戏曲的创作、演出"应该确立导演的主导地位"的戏曲导演艺术家及当代台湾戏曲导演艺术的引领者。他虽然作为在解放初期就系统受过斯坦尼导演体系思维训练的极少数的戏曲导演艺术家之一,但他的戏曲现代戏的导演思路却处处都可见出他对他所非常熟悉的传统戏曲的表现性元素的借鉴痕迹,而与百年来戏曲变革的魔咒——话剧+唱——若即若离。这是非常耐人寻味的。追寻其根源就在于他自觉地寻求古典戏曲与现代戏曲观众审美需求的最佳契合点,这构成了余笑予戏曲导演艺术的最主要特征,具体体现在以下几个方面:一是"将楚剧这种地方花鼓戏的一些活泼自由的东西注入比较古老而规范的京剧中去";二是"寻觅与建构新的演出样式";三是追求具有当代审美意识和剧场效果的"当代戏曲";四是在剧目选择和导演处理上尊重彰显剧种特色;五是以对流派创始人独创精神的学习来反对"流派隔离";六是以强化戏曲导演的中心地位来最有效地凸显表演艺术家的才华;七是坚守技艺的表演与趣味的呈现并重的导演理念。为此,他反复强调他所提出的"拆墙"观念。
[Abstract]:Yu Xiaoyu, who has truly developed the art of modern opera director since the new period, is also the first to explicitly propose the creation of traditional Chinese opera. "should establish the dominant position of directors" opera director artist and contemporary Taiwan opera director art leader. Although he was a system in the early liberation of the Stanni director system of thinking training in the very few. One of the opera director artists, But his thinking of directing modern drama can be seen everywhere he is very familiar with the traditional opera elements of the performance of the traces of reference, It is very intriguing to pursue the magic mantra that has changed over the past hundred years-the singing of modern drama. It is very thought-provoking. To pursue its roots lies in his conscious search for the best fit of the aesthetic needs of the audience of classical opera and modern opera. This constitutes the most important feature of Yu Xiaoyu's opera directing art. It is embodied in the following aspects: first, "inject some lively and free things of Chu opera into the relatively old and standardized Beijing Opera"; second, "seek and construct a new performance style"; and third, pursue a new style of performance. "Contemporary drama" with contemporary aesthetic consciousness and theatrical effect, fourth, show the characteristics of drama in the selection of plays and the treatment of directors; The fifth is to oppose "school isolation" by studying the creative spirit of the founder of the school, and the sixth is to highlight the talent of the performing artist most effectively by strengthening the central position of the opera director. Seventh, he insists on the director's idea that the performance of skill and the presentation of interest are equally important. Therefore, he repeatedly emphasizes the idea of "breaking down walls" put forward by him.
【作者单位】：武汉大学哲学学院;
【分类号】：J803

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