浅析圣—桑歌剧《参孙与达丽拉》中达丽拉的形象塑造——达丽拉三首咏叹调的演绎

发布时间：2018-03-15 20:06

本文选题：圣-桑　切入点：歌剧创作　出处：《上海音乐学院》2010年硕士论文　论文类型：学位论文

【摘要】： 卡米尔·圣-桑(Camille Saint-Saensl835—1921)是19世纪浪漫主义后期至20世纪初法国著名的作曲家、钢琴家、管风琴演奏家和指挥家,法国民族音乐协会创立者之一。他的作品数量超过170多部,涉及众多音乐体裁。他一生共作歌剧13部,但至今仍上演不衰的当属《参孙与达丽拉》。参孙的故事,取自旧约圣经中士师记的第十三章到第十六章。本文透过对作曲家的创作和风格,着力于《参孙与达利拉》的剧情演进和人物形象的分析进而对剧中女主角的角色及其主要唱段的演绎作具体阐述。本文拟从以下几个方面进行论述：第一部分概述作曲家的歌剧创作概况和艺术风格；第二部分剖析该歌剧的人物形象及其在剧情和音乐发展中的性格刻画；第三部分详细分析达丽拉的三首咏叹调,聆听比较不同版本的演唱处理,最后结合自身的演唱实践,探索如何深刻细致地把握该角色的个性特征,以便准确演绎该角色的音乐形象。本文力求在有关这部歌剧的音乐特色和主要唱段诠释上提出自己的看法,以填补这一课题研究中鲜有涉猎的某些空白。
[Abstract]:Camille Saint-Saensl835-1921) is a famous French composer, pianist, organ performer and conductor from late 19th century to early 20th century. He wrote 13 operas in his life, but he still plays Samson and Darirah. The story of Samson is taken from the Old Testament Sgt. 13th to 16th. Through the creation and style of the composer, this paper focuses on the evolution of the plot and the characters of Samson and Darirah, and then expounds the role of the heroine and the deduction of the main choreography in the play. The first part is an overview of the composer's opera creation and artistic style, the second part analyzes the characters of the opera and its character in the development of the plot and music. The third part of the detailed analysis of three arias, listen to the different versions of the treatment of singing, and finally combined with their own singing practice, explore how to deeply and meticulously grasp the character of the character, In order to accurately deduce the musical image of the character, this paper tries to put forward his own views on the musical characteristics and the main vocals of the opera, so as to fill in some gaps in the research of this subject.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

【引证文献】