文化资本视野中的大后方影剧人生存状态研究

发布时间：2018-03-16 03:17

本文选题：文化资本　切入点：生存状态　出处：《重庆工商大学》2017年硕士论文　论文类型：学位论文

【摘要】：抗日战争的爆发,“一切为了抗战”的民族精神成为了重庆时期八年抗战最具代表性和最骄傲的时代强音。以白杨为代表的这批影剧人以话剧为武器,从上海、北平等大城市走向大后方重庆,积极宣传抗日,拓展话剧生存空间,一时间振臂急呼、抗战到底的腔调成为了重庆的主旋律,以至于忽视了在历史表象下的另一个客观存在且不一样的声音——个体微妙心态掺杂其中。尤其是在战争进入相持阶段以后,政治上,国民党腐败无能、过度严苛的话剧理念和话剧政策;经济上,通货膨胀愈加严重、发国难财者大面积扩散,险些经历亡国的记忆已经开始褪色,影剧人的生活愈加艰难,所有的影剧人都不同程度的背负了政治、经济、文化、社会地位的多重压力。所以当战争带给了影星白杨政治和经济上的困苦,而她的社会地位和文化声望却一直都在上升的这个事实是很值得我们研究的。本文主要是依靠法国社会学家布迪厄的文化资本理论,从艺术社会史的角度,文学场域的诞生有三个维度,即自主的获得、一种双重结构的出现、象征财产的市场。前者对自主性的追求是构成文学家主体哲学的历史过程的社会学考察。后两者与文学场外部的社会环境以及现实的经济条件密切相关。套用布迪厄的理论,在某种意义上,白杨通过能动性的获得文化资本,积极的将生活作为艺术的一部分进行社会交往。本文主要拟分三章:第一章:“绪论”。提出大后方影剧人生存状态的存在史实,并对本课题的研究现状进行归纳和介绍,对论文中涉及的“文化资本”相关概念进行界定,阐明拟采用的研究思路、方法,指出本课题的研究意义。第二章:“陪都影剧人总体生存状态”。以《对时局进言》事件为由头,将1941年作为时间转折点,分阶段介绍以白杨为代表的剧人生存状态,在具体的历史环境中,全面的阐释其完整的状态。第三章:“白杨文化资本的生成”。以布迪厄的文化资本理论为思考方向,着重分析影星白杨的交往与应酬,揭示出交往和艺术的互动关系,以及这种关系是如何作用于影剧人的生存状态并体现出来的。最后是“结语”。对文化资本视野下,大后方影剧人生存状态进行总结,提出文化资本自身的积累和运作逻辑,在某种程度上,它还独立于政治和经济的影响范围之外的的观点。
[Abstract]:With the outbreak of the War of Resistance against Japan, the national spirit of "everything for the War of Resistance" became the most representative and proud voice of Chongqing's eight-year War of Resistance. The film dramas, represented by Bai Yang, took the drama as a weapon from Shanghai. Big cities such as Peiping went to the rear area of Chongqing, actively propagated the resistance against Japan, expanded the living space of the drama, and at one time shook their arms and cried out. The tone of the Anti-Japanese War in the end became the main melody of Chongqing. So much so as to ignore another objective and different voice under historical appearances-individual subtleties mingled with it. Especially after the war entered a phase of stalemate, the KMT was politically corrupt and incompetent. Overly harsh drama ideas and policies; economically, inflation has become more severe, the wealth of those who have made national disasters have spread over a wide area, the memory of nearly suffering from national subjugation has begun to fade, and the lives of film dramas have become more and more difficult. All the people in the film dramas were burdened with many kinds of political, economic, cultural and social pressures in varying degrees. So when the war brought political and economic hardship to the movie star Poplar, However, the fact that her social status and cultural prestige have been rising all the time is worth our study. This article mainly relies on the cultural capital theory of French sociologist Bourdieu, from the perspective of the history of art society. The birth of the field of literature has three dimensions, namely, the acquisition of autonomy and the emergence of a dual structure. The pursuit of autonomy by the former is a sociological study of the historical process that constitutes the subject philosophy of a writer. The latter two are closely related to the social environment outside the literary field and the economic conditions of reality. In a sense, Poplar obtains cultural capital through initiative, actively regards life as a part of art for social intercourse. This paper mainly consists of three chapters: chapter one: introduction. And the present research situation of this subject is summarized and introduced, and the related concepts of "cultural capital" are defined, and the research ideas and methods to be adopted are expounded. It points out the research significance of this subject. Chapter two: "the overall living state of the people in the shadow drama of the shadow of the capital". Taking the event of "advance to the present situation" as the origin, taking 1941 as the turning point of time, the author introduces the living state of the opera people represented by Populus in stages. In the specific historical environment, it comprehensively explains its complete state. The third chapter: "the generation of poplar cultural capital". Taking Bourdieu's theory of cultural capital as the thinking direction, the author focuses on analyzing the communication and entertainment of movie star Poplar Poplar. It reveals the interactive relationship between communication and art, and how this relationship acts on and embodies the living state of the people in the film dramas. Finally, it is the conclusion. In the view of cultural capital, the author summarizes the living state of the people in the rear area. The author points out that the accumulation and operation logic of cultural capital itself, to some extent, is independent of the influence of politics and economy.
【学位授予单位】：重庆工商大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J809.2

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