隋唐俳优“戏弄”表演研究

发布时间：2018-03-23 14:19

  本文选题：隋唐　切入点：俳优　出处：《戏剧文学》2017年12期

【摘要】：依据王国维"以歌舞演故事"之戏曲界定,隋唐时期的"弄参军"(参军戏、弄假官)、"弄孔子"、"弄假妇人"等各种"戏弄"已具戏曲雏形。这些杂戏在角色分工、歌舞叙事、宾白科介、滑稽表演以及道具装扮等方面均做了诸多有益的尝试。这些形形色色的戏剧小品相互借鉴吸收,为我国歌舞"戏剧化"进程以及"戏"向"戏曲"的飞跃打下了坚实的基础。
[Abstract]:According to Wang Guowei's drama definition of "singing and dancing acting story", all kinds of "teasing" in the Sui and Tang dynasties, such as "enlisting the army" (joining the army, making false officials "," making Confucius "," making false women ", etc.), already have the rudimentary form of drama. These miscellaneous plays are divided into roles and narrated by singing and dancing. Many useful attempts have been made in such aspects as bingo, comical performances and props. These dramatic sketches are drawn from each other. It lays a solid foundation for the process of drama and the leap from opera to opera.
【作者单位】： 中原文化艺术学院河南艺术职业学院;
【基金】：2016年度河南省哲学社会科学规划项目“隋唐宫廷音乐表演研究”(项目编号:2016BYS012)
【分类号】：J812
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本文编号：1653828