试论蒙特威尔第牧歌多样性特征

发布时间：2018-03-23 17:32

本文选题：蒙特威尔第　切入点：牧歌　出处：《湖南师范大学》2010年硕士论文

【摘要】： 蒙特威尔第是欧洲重要的音乐家,也是欧洲音乐艺术文艺复兴时期至巴洛克时期的桥梁。他的创作涉及声乐、歌剧、器乐、牧歌等领域。牧歌是贯穿他一生的音乐体裁,他的不少作品都遗失了,现存的还有十二卷牧歌,约250首,他的牧歌风格广泛,全面的反映了欧洲文艺复兴时期至巴洛克时期音乐风格的变化与发展,并且这种多样性风格对后世的歌剧、声乐、器乐产生了广泛的影响。本文试图以蒙特威尔第具有代表性的牧歌作品片段为切入点,对其牧歌的主题思想、音乐风格、社会功能等方面所呈现出的多样性特征作了全面的分析；并从外在条件—巴洛克时期音乐理论的发展、乐器制造业的进步、音乐印刷业的兴起,以及内在动力—蒙特威尔第的内在音乐美学价值观、开明的思想、他所受的双重文化的影响、结合他坎坷的人生遭遇,对这种多样性形成的原因作了深入的探究；最后,对其牧歌创作多样性的后续影响作了力所能及的分析。 16世纪的意大利牧歌的发展在意大利经过了早期、中期和晚期三个阶段。蒙特威尔第牧歌创作的历程分为三个时期：克雷莫纳时期、曼图亚时期和威尼斯时期。从克雷莫纳到威尼斯,蒙特威尔第的牧歌创作在技法上越来越成熟,风格上突破传统,他后期的牧歌被人称作“现代牧歌”。他的牧歌全面的反映了欧洲文艺复兴时期至巴洛克时期音乐风格的变化与发展,呈现出多样性特征。蒙特威尔第牧歌多样性的特征表现在以下几方面：一是主题思想的多样性,16世纪意大利传统牧歌音乐的主题比较单纯,多以描写“爱情故事”为主题的,蒙特威尔第牧歌有爱情、平静和战争三个主题,并且折射出人文主义与宗教思想的交织；二是牧歌风格具有多样性,他的牧歌音乐既表现出清晰、典雅,轻松、愉快,严肃、悲情的格调,又兼有合唱、协奏、戏剧冲突等多样的体裁风格；三是他的牧歌也体现出多样的社会功能。蒙特威尔第牧歌多样性特征的形成的原因是多方面的,其中16世纪意大利社会音乐美学理论、器乐与音乐印刷术的发展为牧歌多样性特征的形成提供了外部条件。但是他“歌词第一,音乐第二”美学价值观是其牧歌作品多样风格产生的根本原因。他强调乐调和节奏必须服务于歌词,强调音乐要激起听众的情感。另外,生活中他受到人文主义精神与宗教文化的双重影响,坎坷的生活遭遇,事业上遭受的挫折,以及他开明的态度,善于接受新思想、吸收流行中的新元素的性格也是他牧歌多样性特征产生的重要内因。蒙特威尔第牧歌的多样性特征,对后来欧洲的歌剧、器乐、声乐产生了广泛的影响,如他的学生卡瓦利的就歌剧保留了蒙特威尔第式的“激动风格”。笔者认为,了解蒙特威尔第牧歌音乐中的多样性特征,对我们了解蒙特威尔第本人及作品,了解欧洲文艺复兴时期至巴洛克时期的音乐文化的动态发展具有重要意义。
[Abstract]:Monte Verdi is an important European musician, but also a bridge of European music Renaissance and Baroque period. His works include music, opera, instrumental music, pastoral and other fields. Songs throughout his life's music style, many of his works are lost, the existing twelve volumes about 250 songs, his pastoral, pastoral style wide, fully reflected the change and development of the European Renaissance to Baroque style of music, opera, style and the diversity of future generations has extensive influence vocal music, instrumental music.
This paper attempts to mount Verdi representative madrigal texts as the starting point, the pastoral theme, music style, diversity of social function and other aspects of the show are comprehensively analyzed; and from the external conditions, the development of the theory of Baroque music, musical instrument manufacturing industry development, the rise of music the printing industry, as well as the intrinsic aesthetic value of music - Monte Verdi's concept of intrinsic motivation, open minded, his influence by dual culture, combined with his rough life experience, for the reason of the formation of the diversity of further research; finally, the subsequent impact on the diversity of the pastoral creation is carried out analysis.
The development of Italy in sixteenth Century after the madrigal in Italy in early, middle and late three stages. The course of Monte Verdi madrigal writing is divided into three periods: the period of Cremona, Mantua period and Venice period. From Cremona to Venice, Monte Verdi madrigal writing more and more mature in technique, breaking the traditional style, his pastoral later known as "modern Pastoral". His pastoral fully reflected the change and development of the European Renaissance and Baroque music style, showing a diversity of characteristics.
Monte Verdi madrigal diversity shows in the following aspects: one is the diversity of the theme, the sixteenth Century Italy traditional pastoral theme music is simple, with the description of "love story" as the theme of the Monte Verdi pastoral love, three themes of peace and war, and reflects the interweaving of humanism and religious thought the two is the pastoral style; with diversity, his pastoral music showed clear, elegant, relaxed, happy, serious and tragic style, and together with the chorus, orchestra, drama conflict as diverse genre style; the three is his pastoral also reflects the diversity of social function.
The reasons for the formation of Monte Verdi madrigal diversity characteristics in many aspects, including the sixteenth Century Italy social musical aesthetic theory, provides the external conditions for the development of instrumental music and music printing form characteristic pastoral variety. But he "first lyrics, music second" aesthetic value is the basic reason why various styles of pastoral works. He emphasized that intonation and rhythm must serve the lyrics, stressed that music must arouse audience's emotions. In addition, his life was influenced by humanism and religious culture, rough life experience, suffer setbacks on the business, as well as his liberal attitude, learn to accept new ideas, important reason to absorb popular new elements the personality is the formation of his idyllic diversity.
The diversity of Mongolian Verdi's Pastoral songs has a widespread influence on European operas, instrumental music and vocal music. For example, his student Cavalli's opera has retained the Mongolian style of Verdi's "excitement style".
I believe that understanding the diversity characteristics of Verdi's Pastoral music is of great significance for us to understand Verdi and his works and understand the dynamic development of music culture in the Renaissance period to Baroque period.

【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

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