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辰州傩戏的传承研究

发布时间:2018-03-25 06:01

  本文选题:辰州傩戏 切入点:宗教祭祀 出处:《中南民族大学》2012年硕士论文


【摘要】:辰州傩戏,流传于五溪一带,它是由沅陵辰州一带的土老师们冲傩还愿的祭祀性歌舞发展而成,也是以毛古斯舞为代表的湘西原始形戏剧,在向现代形戏剧发展的过程当中,有幸保存了其自身独特的原始戏剧形态。傩戏演出中大多穿插着傩祭活动,在傩祭中,有的法事就是戏,,情节简单,表演粗糙。本文从民俗学角度,运用田野调查等方法对辰州傩戏的起源,传承环境,传承价值与传承所面临的危机及应对措施做了系统的探讨。 全文共分五个部分: 第一部分(绪论),概述选题缘由,研究状况、研究意义和研究方法。 第二部分(第一章)探讨辰州傩戏的起源,分类,表演特征及传承环境和谱系。结合当地的人文历史和生态背景,介绍辰州傩戏在当地的传承情况和影响。 第三部分(第二、三章)第二章将辰州傩戏置于传统的宗教祭祀中,探讨辰州傩戏和传统的宗教祭祀活动之间的传承形式和传承关系。第三章解读辰州傩戏的传承方式在人生礼俗中给当地的人带来的影响和发展。 第四部分(第四、五章),第四章主要探讨辰州傩戏的传承价值。第五章探讨的是辰州傩戏的传承所面临的危机及其应对措施与建议。 第五部分,总结辰州傩戏的传承给辰州地区所带来的社会价值和意义。
[Abstract]:The Chenzhou Nuo Opera, which is spread in the area of Wuxi, is developed from the sacrificial songs and dances of the teachers of the Yuanling area of Chenzhou to return their vows to Nuo. It is also the primitive form of Xiangxi drama represented by Maogusi Dance, which is in the process of developing toward the modern style drama. Fortunately, it has preserved its own unique primitive theatrical form. Nuo opera performances are mostly interspersed with Nuo festival activities. In Nuo festival, some legal matters are drama, the plot is simple, and the performance is rough. This article is from the perspective of folklore. This paper makes a systematic discussion on the origin, heritage environment, inheritance value, crisis and countermeasures of Chenzhou Nuo Opera by means of field investigation. The full text is divided into five parts:. The first part (introduction) summarizes the reason, research status, research significance and research methods. The second part (chapter one) discusses the origin, classification, performance characteristics, heritage environment and genealogy of the Nuo opera in Chenzhou. Combining with the local humanistic history and ecological background, it introduces the inheritance and influence of the Nuo opera in Chenzhou. In the third part (chapter two and three), the second chapter puts the Nuo opera of Chenzhou in the traditional religious sacrifice. The third chapter explains the influence and development of Chenzhou Nuo opera's inheritance way to local people in the life etiquette and custom. The fourth part (the fourth, five chapters, the fourth chapter mainly discusses the Chenzhou Nuo opera inheritance value, the fifth chapter discusses the Chenzhou Nuo opera inheritance facing the crisis and countermeasures and suggestions. The fifth part summarizes the social value and significance of the inheritance of Chenzhou Nuo Opera.
【学位授予单位】:中南民族大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J825

【引证文献】

相关期刊论文 前1条

1 李玉华;;欠发达地区非物质文化遗产可持续开发研究——以辰州傩戏为例[J];怀化学院学报;2013年08期



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