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清代前中期苏州戏曲的商业出版与发行

发布时间:2018-03-28 13:43

  本文选题:清代前中期 切入点:苏州 出处:《戏剧文学》2017年07期


【摘要】:清代前中期的苏州,是全国戏曲商业出版的重要中心。苏州戏曲在清初的发行主要以旧版重印为主,至乾隆、嘉庆年间,刻印与发售逐渐分离,出现了专门从事销售的书肆。这一时期,戏曲出版与发行的数量虽众,但集中于《第六才子书》等作品,刻本质量受政府禁令、优秀刻工的后继乏人与盗版等影响,从早期的精致秀美转为粗制滥造。同时,各书坊为促进戏曲等图书的销售,注重经营策略的讲究。
[Abstract]:Suzhou before and in the middle of the Qing Dynasty was an important center for the commercial publishing of Chinese opera. In the early Qing Dynasty, Suzhou opera was mainly issued with the old reprints, but during the Qianlong and Jiaqing years, the printing and sale of Suzhou opera were gradually separated from each other. During this period, although the number of opera publications and distributions was numerous, they concentrated on works such as the sixth Talent Book, the quality of which was affected by the government ban, and by the lack of successors and piracy of outstanding engraving workers. At the same time, in order to promote the sale of books, such as drama, pay attention to the management strategy.
【作者单位】: 扬州大学学报;
【基金】:国家社科基金艺术学青年项目“晚明至清中叶戏曲的商业出版研究”(16CB147)成果之一
【分类号】:J809.2

【参考文献】

相关期刊论文 前1条

1 戚福康;;论明清苏州的坊刻[J];南昌师范学院学报;2014年04期

【共引文献】

相关期刊论文 前1条

1 赵林平;;清代前中期苏州戏曲的商业出版与发行[J];戏剧文学;2017年07期



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