藏戏与西方戏剧的比较研究

发布时间：2018-03-28 17:36

本文选题：藏戏　切入点：西方戏剧　出处：《甘肃社会科学》2017年01期

【摘要】：藏戏是藏族文化的凝结与重要载体,从唐至今,由于地域的特殊性,藏戏受到其他文化戏剧形式影响较小,保留了比较原始的戏剧风格与艺术观念,是研究藏族社会发展、文化心理演进以及构建藏族艺术史的重要史料。以藏戏为基点,通过与西方戏剧进行文化模式、戏剧结构、审美原则等几个方面的比较,力图分析研究藏戏的诸方面的特性,展现藏戏艺术的独特魅力与巨大艺术价值,力求为藏戏的发展,提供有益的基础性梳理。
[Abstract]:Tibetan opera is the condensation and important carrier of Tibetan culture. Since the Tang Dynasty, Tibetan opera has been less influenced by other cultural and dramatic forms because of its regional particularity, and has retained a relatively primitive drama style and artistic concept. It is also a study of the development of Tibetan society. The evolution of cultural psychology and the important historical data of constructing Tibetan art history. Based on Tibetan opera, this paper tries to analyze and study the characteristics of Tibetan opera from several aspects, such as cultural model, dramatic structure, aesthetic principle and so on. To show the unique charm and great artistic value of Tibetan opera art, and to provide beneficial basic combing for the development of Tibetan opera.
【作者单位】：西北民族大学历史文化学院;
【分类号】：J805

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