论普契尼歌剧《托斯卡》中托斯卡的人物形象塑造

发布时间：2018-03-29 03:21

本文选题：普契尼　切入点：《托斯卡》　出处：《河北师范大学》2009年硕士论文

【摘要】： 在普契尼的歌剧创作中,女性人物的形象塑造极具典型性,成为其歌剧作品的亮点之一,在歌剧史上具有重要意义。歌剧创作中主要人物的性格塑造是展开戏剧、揭示内涵的核心手段,也是决定一部歌剧作品成功与否的重要标志之一。本文以普契尼歌剧《托斯卡》中女主角托斯卡为研究对象,力求较细致、全面地概括出普契尼对托斯卡这个女性人物进行形象塑造时所采用的戏剧和音乐手段做出探讨。全文除引言和结语外,正文分为四个部分: 1、普契尼歌剧创作概述。本章详细介绍了普契尼歌剧创作的政治、文化及音乐背景和他的创作之路,为下面几章的研究作了必要的铺垫。 2、托斯卡的戏剧形象分析。从人物形象塑造的戏剧要素入手进行研究探讨,从歌剧脚本对托斯卡这个歌剧人物加以分析,托斯卡随着故事情节的不断发展所呈现出不同的性格特征。 3、托斯卡性格的音乐形象分析。从人物形象塑造的音乐要素入手进行研究探讨,具体论述了普契尼是如何用音乐来展开剧情的,揭示了托斯卡这个女性人物的内心世界和性格特征,深入、透彻的挖掘普契尼对托斯卡这个人物在进行形象塑造时所采用的丰富的音乐手段。 4、普契尼歌剧的演唱风格把握。本章在以上两个章节研究的基础上,对普契尼歌剧演唱的风格特点进行了研究,又着重对托斯卡的咏叹调《为艺术,为爱情》加以分析,在演唱技术和情感上更好的塑造托斯卡的人物形象。笔者对普契尼歌剧作品中托斯卡这个女性人物进行了详细的阐释。本文的研究可以使我们更清楚的了解普契尼歌剧作品的风格特点,使我们更深刻地理解托斯卡这个女性人物的性格特征和思想内涵,从而使我们更准确的把握好《托斯卡》这部作品,更好地用感情和声音去表现和塑造这个人物形象。
[Abstract]:In Puccini's opera creation, the portrayal of female characters is typical and becomes one of the highlights of Puccini's opera works, which is of great significance in the history of opera. The core means of revealing the connotation is also one of the important symbols to determine the success of an opera work. This paper takes Tosca, the heroine of Puccini opera, as the research object, and tries to be more detailed. This paper summarizes Puccini's approach to the drama and music of Tosca as a female character. In addition to the introduction and conclusion, the text is divided into four parts:. 1. An overview of Puccini's opera creation. This chapter introduces the political, cultural and musical background of Puccini's opera creation and the way of Puccini's creation in detail, which paves the way for the research of the following chapters. 2, Tosca's dramatic image analysis. From the character image of the dramatic elements of the study, from the opera script to Tosca this opera character to analyze, Tosca presents different personality characteristics as the story unfolds. 3. The music image analysis of Tosca's character. This paper discusses how Puccini develops the plot with music, starting with the musical elements of the character. It reveals the inner world and character characteristics of Tosca a female character and thoroughly excavates Puccini's rich musical means in shaping Tosca's image. 4, Puccini opera singing style grasp. This chapter on the basis of the above two chapters, Puccini opera singing style characteristics are studied, and the emphasis on Tosca aria "for art, for love" analysis, Better portray Tosca's character in singing technique and emotion. The author explains the female character Tosca in Puccini's opera works in detail. The research in this paper can make us understand the style characteristics of Puccini's opera works more clearly. It makes us understand the character and connotation of Tosca as a female character more deeply, so that we can grasp Tosca more accurately and use emotion and voice to express and portray the character image.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J832

【引证文献】