戏曲“程式”理论疏义

发布时间：2018-03-29 05:14

本文选题：戏曲　切入点：程式　出处：《中国艺术研究院》2017年硕士论文

【摘要】：戏曲“程式”理论是指由“程式化”、“程式性”、“表演程式”等概念组合而成的戏曲理论集合,其在戏曲理论的建构过程中起到了根基性的作用,促成了戏曲学科的成形与发展,并对中国戏曲理论体系的建设与推进起到了重要作用。在戏曲艺术实践过程中,戏曲“程式”理论也发挥了指导效用,它指向戏曲艺术在长期实践过程中所积淀下来的艺术范例,是戏曲演员进行舞台表演、创作的重要理论依据。“程式”理论可以帮助消弭戏曲舞台表演中“技艺”与“人物”的矛盾,同时也为人们欣赏、评价戏曲艺术作品提供了基本的舞台美学准衡。在当今戏曲学界,随着学人们对戏曲艺术认识的不断深化,对于戏曲“程式”理论质疑的声音也因此产生。一些学者从戏曲“程式”的学术价值、实践价值等不同角度进行探讨,认为戏曲“程式”理论已经落后于戏曲艺术发展与中国学术发展的现状,应当予以取消或替换。由这些问题入手,本文希望通过对戏曲“程式”理论的发生、发展、衍变过程进行追溯,进而分析戏曲“程式”理论在不同时期于戏曲研究、戏曲实践的意义,从而多角度地评价戏曲“程式”理论的价值与意义。第一章《“程式”的源流与界定》对戏曲“程式”理论的发生进行追溯,包括从语汇发生到理论发生的过程,并以此为基础,对戏曲“程式”理论的内涵、性质以及意义进行界定、评价。第二章《研究与论争:戏曲“程式”的理论建构》爬梳戏曲“程式”理论的建构、丰富过程,揭示在当今学术环境下戏曲“程式”理论研究产生了何种变化,观照戏曲学界关于戏曲“程式”理论所展开的论争,梳理出戏曲“程式”理论研究中的传承与创新,并为戏曲“程式”理论的发展方向做出展望。第三章《“程式”理论与戏曲实践》转向戏曲艺术实践过程中戏曲“程式”理论所发挥的作用,历数戏曲“程式”理论在舞台表演过程中所发挥的作用,以及戏曲艺术改革发展过程中因“程式”而生发的发展策略,并评价戏曲“程式”理论对于戏曲实践的意义何在。余论《语汇迁流与范式转换——兼论戏曲“程式”理论危机与戏曲理论体系》分别延伸扩展前面的内容,通过“语汇迁流”现象分析戏曲“程式”理论发展在不同历史阶段的不同动力,通过“范式转换”现象观照戏曲“程式”理论对于戏曲艺术学科发展的整体意义,对先前质疑戏曲“程式”理论的诸多声音做出回答,并且揭示了戏曲“程式”理论在戏曲理论体系建构过程中的独特价值。
[Abstract]:The theory of "formula" of opera refers to the combination of concepts such as "stylization", "formula" and "acting formula", which plays a fundamental role in the construction of opera theory and promotes the formation and development of the opera discipline. It has played an important role in the construction and promotion of Chinese opera theory system. In the process of opera art practice, the theory of "formula" of opera has also played a guiding role. It points to an example of art that has been accumulated in the long practice of opera art. It is a stage performance by opera actors. The important theoretical basis for creation. The "formula" theory can help to eliminate the contradiction between "skill" and "character" in the stage performance of traditional Chinese opera, and at the same time, it can also be appreciated by people. The evaluation of traditional Chinese opera works provides a basic stage aesthetic balance. In modern opera circles, with the deepening of scholars' understanding of opera art, As a result of this, some scholars have discussed the academic value and practical value of the "formula" of opera. The author thinks that the theory of "formula" of opera has already lagged behind the present situation of the development of opera art and Chinese academic development, and should be cancelled or replaced. Starting with these problems, this paper hopes to develop the theory of "formula" of opera through the occurrence and development of the theory. Tracing back to the process of evolution, and then analyzing the significance of the theory of "formula" of opera in the study of opera and the practice of opera in different periods. Therefore, the value and significance of the theory of "formula" of opera are evaluated from various angles. Chapter one, "the Origin and definition of" Program ", traces the occurrence of the theory of" formula "of opera, including the process from the occurrence of vocabulary to the occurrence of theory, and based on this, This paper defines and evaluates the connotation, nature and significance of the theory of "formula" of opera. Chapter two < Research and argument: theoretical Construction of "pattern" of Drama > Construction and enrichment process of the Theory of "Formula" of climbing comb Opera. In the present academic environment, it reveals what changes have taken place in the theoretical study of the "formula" of opera, reviews the controversy about the theory of "formula" in the field of opera, and combs out the inheritance and innovation in the theoretical study of the "formula" of opera. In the third chapter, the theory of "formula" and the practice of opera turn to the role of the theory of "formula" in the process of opera art practice. The role played by the theory of "formula" in the stage performance, and the development strategy of "formula" in the course of the reform and development of opera art, It also evaluates the significance of the theory of "formula" of opera to the practice of traditional Chinese opera, and extends the contents of the theory of "formula" and the theoretical system of opera, respectively, on the transfer of vocabulary and paradigm shift, as well as on the theoretical crisis of drama "formula" and the theoretical system of opera, respectively. This paper analyzes the different driving forces of the development of the theory of "formula" in different historical stages through the phenomenon of "transfer of vocabulary", and views the overall significance of the theory of "formula" for the development of the subject of opera art through the phenomenon of "paradigm shift". The author answers many voices that questioned the theory of "formula" of opera, and revealed the unique value of the theory of "formula" of opera in the process of constructing the theoretical system of opera.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J812

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