当前位置:主页 > 文艺论文 > 戏剧论文 >

回归传统,走向现代——淮剧《武训先生》剧作解读

发布时间:2018-03-29 07:56

  本文选题:淮剧 切入点:武训 出处:《当代戏剧》2017年05期


【摘要】:正2017年5月份,淮剧《武训先生》于沪首演。《武训先生》作为剧作家罗怀臻与表演艺术家梁伟平合作的"都市新淮剧"三部曲中的最后一部,被宣称为开启"都市新淮剧的2.0时代"。继1993年上海淮剧团推出《金龙与蜉蝣》之后,树起了"都市新淮剧"的戏曲创新旗职,又经剧作家罗怀臻探究完善,"都市新淮剧"
[Abstract]:In May 2017, Huai Opera "Mr. Wu Xun" premiered in Shanghai. "Mr. Wu Xun", as the last of the trilogy of "Metropolitan Xinhuai Drama" by Luo Huaizhen, a playwright, cooperated with performing artist Liang Weiping, It is declared to be the beginning of "the 2.0 Age of Urban New Huai Drama". After the Shanghai Huai Opera Troupe launched "Golden Dragon and Mayfly" in 1993, it has set up the banner of innovation of "Urban Xinhuai Drama", and has been explored and perfected by playwright Luo Huaizhen, "Urban Xinhuai Drama"
【分类号】:J825


本文编号:1680232

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/1680232.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户ae22a***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com